Module 1, Chapter 18-19 Art History

a contemporary of Robert Campin, ______ was a painter of renown in the court of philip the good

the doors for the florentine baptistery by _____ display scenes from the life of john the baptist

the book of hours of jeanne d'evreux by _____ contains special prayers to be recited during the day into the evening

rogier van der weyden painted his largest and most elaborate work for an altarpiece of the _____ to be placed in a hospital in beaune

_____ represented the economic center of florence

the reliquary of saint Ursula has been securely attributed to the Flemish painter, _____, of the second-generation

the most complete decorated style building is the

engraving on metal requires a technique called ______ in which the lines are cut into the metal plate with sharp tools

_____ was commissioned to create an elaborate tabernacle to frame the new Madonna and Child at orsanmichele

_____ belonged to the second-generation of Flemish painters

one of the techniques used by printmakers during the 15th century was the

_____ and _____ designed the church of the holy cross in southwest Germany

the _____ is a mythical, horse-like animal, with cloven hooves, a goat's beard, and a single, long, twisted horn

the medieval _____ provided information of both moral and practical value on real and imaginary animals

the flemish style of painting that would influence all of 15th century Europe had its origins in the _____ of the 14th century

the _____ is one of the most well-known surviving tapestry series

the richest kind of ____ was made almost entirely of silk and gold

_____ was commissioned to paint the Scrovegni Chapel

Wealthy Italian families added __________ to their homes, both for the purpose of defense and to symbolize their power

the painted figures of the flemish painter _____ are reminiscent of the sculpted figures of claus sluter

an altarpiece which has multiple, movable wings, attached to the altar's central, stationary section is known as a

Among the finest Netherlandish illuminators of the early fifteenth century

in france, the leading court artist of the 15th century was

15th century _____ painters perfected the technique of painting with an oil medium

the governing body for the city of Florence met in the

_____ was a master mason for Exeter cathedral

of all the dukes of Burgundy, it was __________, who was the most enthusiastic art collector and lover of books

_____'s Madonna and Child, commissioned for Orsanmichele, replaced an earlier Madonna and Child, renowned for its miraculous powers

the German artist _____ was a skilled printmaker as well as a painter

_____ painted a huge altarpiece for the high altar of siena cathedral

the transformation of the Italo-Byzantine style can be detected in the virgin and child enthroned by

the personal style of the painter, _____, merged with the French gothic style to become the beautiful style in the later 14th century

Philip the bold commissioned _____ to paint the altarpiece for the church at champol

an altarpiece which has a winged, movable panel attached to both sides of the central section is known as a _____ resulting in a total of three panels

the major work of the Limbourg brothers was __________ commissioned for Jean, the Duke of Berry

the city council of Siena commissioned _____ to fresco the city hall with scenes of good and bad government

in northern Europe, particularly Germany, devotional images which depict Mary mourning her dead son, Jesus, are known as

the distinctive character of claus sluter's sculpture can still be seen in the surviving parts of his monumental

a(n) _____ specialty, pictorial needlework, gained such fame that it came to be called

_____ was the patron saint of painters