1Church
900-1000; best seats at alter; 1000-12000 behind the choir, mansions between; no pews, audience moved; "resurection"
2Church-Like
Moved to porch, then church yard, then townsquare; remain from church- alter, naive, choir; 22 stations; staged "luceren passion play"
3Stationary/Silumtaneous
wide, deep stage; eleborate facade; maintained year to year; sea with ship; 5 major locales; "velencinnes passion play"
4Pageant Wagon
Moveable, collapsable, easily set up; brought plays to people; booth stage/ curtainted platform- like setup; "cycle plays"
5The Round
Raised earthen circle; single entrance, moat, smaller mansions; left my romans; cornish (cornwall) france; "Castle of perserverance"
6Curtained Platform
raised platform; curtained behind; private house; "the wandering scholar of paradise"
74 Major Medieval Dramaturgical Forms
Mystery, Miracle, Morality, interlude/farces
8Mystery Subject matter
episodic, biblical
9Mystery Space
Church, pageant wagon
10Mystery Subtypes
Village mystery play- "Fall of Lucifer"
11Mystery Importance
Shows all, structure
12Miracle Subject Matter
Virgin Mary, saints
13Miracle Space
Pageant wagon, curtained platform
14Miracle subtypes
Miracle throughout and miracle at end- "Miracle of our lady"
15Miracle Importance
Teaches playwrites to create fictional plots and dialougue
16Reality
1. Confine subjects to events that could happen IRL
2. Fantasy and supernatural should be avoided (unless bibical)
3. no soliloquies and chorus
4. Violence offstage
17Morality
1. teach a moral lesson
2. truth is corrective
3. show ultimate truth
4. if justice loses, god said so
18Abstraction
1. generalities in drama are key to truth
2. should reveal commonality of human experience
3. truth revealed through pattern, not detail