1Geography of India
is boarded by 6 countries
which are Pakistan, China,
Bangladesh, Bhutan, Myanmar
and Nepa
2Geography of India
It has a coastline of 7000
kms
3Geography of India
Bounded in the southwest by
the Arabian sea and in the
southeast by the Bay of Bengal.
4Geography of India
the geography of this country is extremely diverse with landscape ranging from snowcapped mountain ranges to deserts, plains, hills and plateaus
5Fine red and cream sandstone in Agra
used mainly as
facing for rubble walling
6Stone of carpentry
works using white marble of
Rajasthan in the north
7Climate
Tropical to temperate zonal extremes
8Climate
The temperature extremes are
confined largely to the slopes of the Himalaya.
9Climate
Except in the more mountainous
regions, most of the rest of India has a uniformly tropical climate
10Climate
Seasonal variations, resulting from the
south-western and north-eastern
monsoons, profoundly influence
temperature, humidity, and
precipitation throughout the subcontinent
11Climate
The seasons of India may be classified as rainy and dry
12Indus Valley Civilization
One of the world’s earliest civilization that began to develop around the Indus River in what is now Pakistan and western India
13Indus Valley Civilization
Ruins of ancient cities such as Harappa (Punjab) and Mohenjo-Daro (Sindh).
14Indus Valley Civilization
Writing and counting, built drainage systems that ran into brick-lined sewers and dug canals to irrigate their farms were developed systems
15Indus Valley Civilization
Civilization developed by the Dravidians equaled and possibly surpassed in splendor the civilizations of ancient Mesopotamia and Egypt
16Indus Valley Civilization
Civilization is founded upon three basic concepts: the
sacred, universal and ritualistic
17Indus Valley Civilization
The civilization is noted for its cities built of brick, roadside drainage system, and multistoried houses
18Indus Valley Civilization
The baths and toilets system the cities had is acknowledged as one of the most advanced in the ancient world. A well and drainage system and a bath and toilet excavated.
19Vedic Period
Emergence during the intermingling of Indo-Aryan and Dravidian cultures.
Notable for advanced skills in arts and sciences.
20Vedic Period
Skills and Achievements:
Livestock raising
Metal handicrafts
Carpentry
Boatbuilding
Military science
.
21Vedic Period
Architectural Note:
No colossal monuments; notable for vernacular hut dwellings.
22Vedic Period
The Aryan (VEDIC) hut, in its most basic shape, was circular
in plan with thatched roof over a bamboo network of ribs.
23Vedic Period
It was later elongated to become rectangular in plan, with roofing of bamboo as well, only this time curved in the shape of a barrel.
24MAURYAN PERIOD
In 321 B.C. Chandragupta, founder of the Maurya dynasty of Indian kings known to the Greeks as Sandrocottos, seized control of Magadha and extended his sovereignty over most of the subcontinent.
25MAURYAN PERIOD
Set the empire at Pataliputra, probably the largest and most sophisticated city and center of culture in the world
26MAURYAN PERIOD
Buddhism flourished and had become the official language of Hindu architecture established by King Ashoka.
27MAURYAN PERIOD
Ashoka proclaimed Buddhism as a state religion and spread its message through state-funded monasteries, grunts, and his famous rock-edicts seen in modern Orissa and central India
28GUPTA PERIOD
Buddhism waned, as Hinduism and Jainism became dominant.
29GUPTA PERIOD
Distinct from the Buddhist Stupa as the Indian temple was devoted to one or more of the deities of Hinduism.
30GUPTA PERIOD
The first stone temples were built to honor the Hindu gods like Krishna and Vishnu. The earliest stone temple is a small one at Tigawa, in central India.
31ISLAMIC PERIOD
Muslim invaders from the Abbasid Empire conquered most of Northern India
32ISLAMIC PERIOD
Most important Indian temples were destroyed and replaced with big Mosques, tombs, complexes, and palaces to showcase their power and wealth
33MUGHAL EMPIRE
Ruled much of India in the 16th and 17th century, its rulers developed a stable, centralized form of government that served as a model for later Indian rulers
34MUGHAL EMPIRE
Prohibited idol worship and imagery found on the Buddhist, Hindu & Jain architectural typologies
35MUGHAL EMPIRE
Indo-Islamic Architecture emerged during the
Mughal period
36MUGHAL EMPIRE
Shah Jahan’s reign (1628-1658) coincided with the golden age of Indian Saracenic architecture, best exemplified by the Taj Mahal. He was driven from the throne in 1658 by his son, Aurangzeb, who
took the title of Alamgir (“Conqueror of the World”).
37MUGHAL EMPIRE
With the decline of the Mughal Empire, the country fell increasingly under British domination
384 Types of Religion in India that influence the development of their Architecture.
Vedism and Brahmanism
Hinduism
Jainism
Buddhism
39The Veda (knowledge
scripture with a collection of hymns composed between 1500 and 900 B.C.E
40The Veda (knowledge
Life and earth-affirming, positive faith appropriate to battle-loving tribes whose chieftains and godsoddesses and heroes resemble divinities and characters.
41Vedism and Brahmanism
Polytheistic Religion brought by the Aryan Tribes
42Brahmanism
focused on the ultimate reality to which everything belonged and returned after escaping cycles of reincarnation, the rebirth of the soul into new bodies.
43Hinduism
Sanatana Dharma meaning
“immemorial way of right living
44samsara
the continuous cycle of life, death, and reincarnation
45karma
the universal law of cause and effect
46Atman
One of the key thoughts of Hinduism, the belief in soul
47atman
This philosophy holds that living creatures have a soul, and they're all part of the supreme soul
48Caste System
social group, based partly on occupation which grew up with Hinduism
50Kshatriyas
kings and warriors
51Vaisyas
merchants and farmers
52Sudras
workers E. Untouchables – outcasts
53Brahma
is the chief god, the omnipresent one who is father of the Brahman Trinity.
54Brahma
Has 4 heads, 3 of which (representing their Trinity) can be seen from any point of view
55Jainism
Founded by Mahaveer or Vadhaman born in 599 B.C.
56Jainism
Belief in Nirvana as a state of pure rest
without rebirth but no total destruction
57Jainism
overlapped with hindu styles and produced the elaborate all over patterns carved in bands that became the distinguishing feature of Indian Architecture.
58Jainism
Buildings were Built on a gigantic scale; a marked feature being pointed domes constructed of level courses of corbeled stones
59Buddhism
Religion and philosophy founded in northeastern India in the 5th century
60Buddhism
Based on the teaching of Siddhartha Gautama, a Sakya prince known as Buddha the enlightened one.
61Buddhism
Adopted some ideas from Hinduism, doctrine of karma but rejected caste system and all of its gods.
62Buddhism
Divided into two branches – Theravada (Way of the Elders) and Mahayana (The Great Vehicle
63Monolithic
describes buildings which are carved, cast or excavated from a single piece of material, historically from rock.
64Monumental
building of monuments. They are not designed for people to reside in. Rather, they offer public areas, which can be symbolic or for certain activities.
65Free-Standing
Rock-cut buildings
66BUDDHISM
A religion originated in India which later spread to China, Burma, Japan, Tibet and parts of Southeast Asia
67BUDDHISM
Founded by Siddharta Gautama (563-483BC)
68The Truth of suffering
suffering exists; has cause; has end
69The Truth of the Cause of Suffering
desire and ignorance lie at the root of suffering
70The Truth of the End of Suffering
end of the suffering in this life on earth and in the spiritual life, achieving through Nirvana.
71The Truth of the Path that leads to the End of Suffering
Good Moral Conduct (Right Understanding, Right Thought, Right Speech)
72The Truth of the Path that leads to the End of Suffering
Meditation and Mental Development (Right Action, Right Livelihood, Right Effort)
73The Truth of the Path that leads to the End of Suffering
Wisdom or Insight (Right Mindfulness, Right Concentration)
74BUDDHIST ART and ARCHITECTURE
Began with the development of various symbols, representing aspects of the
Buddha’s life.
75BUDDHIST ART and ARCHITECTURE
The major features of this style are
Stupas
Stambhas
Chaityas
Viharas
76STUPAS
Beginnings were traced back to the funerary customs of the Vedic age
77STUPAS
Dome-shaped mound that mimics the funerary mounds used to mark the graves of great kings
78STUPAS
Contain holy relics to indicate the sacred character of the place or commemorate an important event associated with Buddha
79STUPAS
The initial function of a this was the veneration and safe-guarding of the relics of Buddha
80Spatial characteristics of a Stupa ( Centrality )
Stupa plans develops symmetrically about a central point
81Spatial characteristics of a Stupa ( Axiality )
Stupa volume develops symmetrically about an axis that rises vertically from the central point
82Spatial characteristics of a Stupa ( Orientation )
Stupa mass is oriented in accordance with the directions of space.
83Spatial characteristics of a Stupa
The orientation of the gates equally
corresponds to the sun’s course, to sunrise, zenith, sunset and nadir. As the sun illuminates the physical world, so does the Buddha illuminate the spiritual world.
84Eastern Torana
represents his birth
85Southern Torana
represents his enlightenment
86Western Torana
represents procalamation of his doctrine
87Northern Torana
represents his final liberation
88Parts of a Stupa (Chhatri)
An umbrella-shaped finial symbolizing dignity, composed of a stone disk on a vertical pole
89Parts of a Stupa (Torana)
An elaborately carved,, ceremonial gateway having two or three lintels between posts
90Parts of a Stupa (Vedika)
a railing enclosing the sacred area
91Parts of a Stupa (Harmika)
a stone fence or railing that enclosesa a square area symbolizing the sacred domain of the god
92Parts of a Stupa (Medhi)
a circular terrace enclosed by a railing surrounds the dome on which the faithful are to circumambulate in a clockwise direction
93Parts of a Stupa (Pradakshina Path)
the pathway which is on a slight elevation from the ground level
94Parts of a Stupa (Anda)
the hemispherical dome of the stupa
95The GREAT STUPA at SANCHI
The oldest stone structure in India, located on the top of the Sanchi Hill
96The GREAT STUPA at SANCHI
The main body of the stupa symbolizes the cosmic mountain.
97The GREAT STUPA at SANCHI
The dome is a solid brick work 36.60 m in diameter and 16.46 m high. It symbolized the infinite space of the sky.
98Harmika
holds the triple umbrella or Chhatri which represents the three jewels of Buddhism
99three jewels of Buddhism
the Buddha (original nature), the Dharma (Compassionate teaching) and the Sangha (Harmonious community)
1004 Torans added in the 1st century BC
are the crowning achievements of Sanchi. Each gateway is made up of two square posts topped by capitals of sculptured animals or dwarfs surmounted by three architraves which end in spirals.
101relief sculptures
depicts the events of the Buddha’s life
102STAMBHAS or LATHS
freestanding monumental pillar having carved inscriptions religious elements or a statue
103STAMBHAS or LATHS
consists of a circular column or octagonal shaft slightly tapering towards the summit
104STAMBHAS or LATHS
it is made up of polished sandstone or metal some as high as 60 and 70 ft
105guardian of East
Elephant
106Figures of animals
represent the guardians of 4 quarters of the universe
107Bull
the guardian of South
109Lion
the guardian of North
110wheel
symbolizes the first sermon delivered by Buddha
111CHAITYA
is a shrine, a temple or a hall where prayer is done
112CHAITYAS
It is usually carved out of solid rock on hillside, having the form of an aisled basilica with a Stupa at one end.
113CHAITYAS
Cave 10 is thought to be the oldest of the other chaitya halls
114Chaitya hall consists of
Ornamental façade
Central hall divided by means of pillars into a nave and aisles
Rock-cut stupa at the rear end of the hall with enough space around it for performing the rite of circumambulation (pradakshina patha
115Chaitya Hall in Karli - 100 ad
Leads to a monolithic stupa in the apse
116Chaitya Hall in Karli - 100 ad
Aisle formed by a series of massive columns crowned with male and female riders on elephants
117Ajante Caves
Contains 29 caves
118Ajante Caves
Most magnificent examples of rock cut architecture and cave paintings which dates back to the 5th c.
119Ajante Caves
The paintings and sculptures of major events in the life Buddha are considered masterpieces of Buddhist religious art.
120Ellora
Excavated from the solid rock and symbolizes the three
faiths of Hinduism, Buddhism and Jainism.
121Ellora
has 34 caves:
12 caves to the south are Buddhist,
17 in the centre are Hinduism,
5 caves to the north are Jainism
122VIHARAS
are early types of monasteries consisting of an open court surrounded by open cells accessible through an entrance porch.
123VIHARAS
They were the residential places of the Buddhist priests (monks), but originally, they were constructed to shelter their monks during the rainy season, when it became difficult for them to lead the wanderer’s life
124Two types of Vihara
Rock cut vihara hewn into the side of a mountain or a hill
Stand-alone, structural building
125Rock-Cut Vihara
It consists of a pillared archway on the door, a central court with or without pillars marking its periphery, and three rows of secluded cells with narrow, low doorways ringing the court’s perimeter.
126Rock-Cut Vihara
There is very little in the way of sources of light, except from the main entrance itself. The overall effect is that of seclusion and penance, as exhorted by the principal tenets
of Mahayana Buddhism, whose precepts the monks were serving
127Lotus
Indian symbol of spiritual growth, since the lotus seed germinates in the muck at the bottom of a pond, then the stem grows as long as is necessary (2, 4 to 10 ft) so that the flower can blossom above the surface of the water. (symbolizing transcendence of earthly circumstances)
128Elephant
connected with the story of the Buddha's conception, in which his mother became pregnant when a white elephant appeared in a dream and tapped her on the abdomen with the lotus it was holding in its trunk.
129Tree (enlightenment)
most important of the four events, since this is what made him the Buddha ("Enlightened One").
130Tree (enlightenment)
According to tradition, the Buddha renounced his home after seeing the Four Signs: an old man, a sick man, a corpse, and a wandering monk.
131Tree (Enlightenment)
He then sat down underneath a ficus tree in Bodh Gaya (modern Bihar) and began to meditate on the question of birth-and-death with a focused mind
132Tree (enlightenment)
His analysis eventually revealed the causal chain that leads to rebirth, known as pratityasamutpada (Interdependent Origination), in which each element provides the cause for the one that follows.
133Wheel (Preaching the First Sermon)
symbolizes the 3rd great event in the historical Buddha's life, in which he "turned the wheel of dharma" by preaching his first sermon (The Four Noble Truths) at Sarnath, near modern Benares. It represents his career as a teacher.
134Buddhist Ornaments
Restrained both in character and extent
135Buddhist Ornaments
Painted wall decoration was widely used and ranged from purely architectural forms to very elaborate genre paintings - cave walls at Ajanta
136Buddhist Ornaments
Provide invaluable social and architectural
records of the period.
137Buddhist Ornaments
Female form in its most voluptuous - common motif used in architectural sculpture.
138HINDUISM
is the predominant religion of the Indian subcontinent
139Hindus
They believe in a single supreme God who appears in many different manifestations as devas (celestial beings or deities), and they may worship specific devas as individual facets of the same God.
140HINDU ART AND ARCHITECTURE
Deities commonly worshiped include Shiva the Destroyer; Vishnu in his incarnations as Rama and Krishna; Ganesha, the elephant god of prosperity; and different forms of the goddess Shakti (literally
meaning “power”), the primordial feminine creative principle.
141HINDU ART AND ARCHITECTURE
Architecture and sculpture are inextricably linked in Hindu temples, which are usually devoted to a number of different deities .
142TEMPLES
Residence for the god and not a hall for congregational worship.
A symbol of primordial man
143garba griha
the inner sanctum in which the murti , or idol of the deity, is housed; a mandapa (congregation hall); and sometimes an antechamber and porch
144shikhara , or tower
surmounts the garba griha
145The NAGARA STYLE in Northern India
Found between the
Vindhyas and Himalayas
146The NAGARA STYLE in Northern India
makes Use of a square or cruciform plan but the walls are sometimes so broken up that the tower often gives the impression of being circular.
147The NAGARA STYLE in Northern India
Characterized by a beehive shaped tower made up of layer upon layer of architectural elements such as:
- kapotas and gavaksas,
- topped by a large round cushion-like element called an amalaka.
148The NAGARA STYLE in Northern India
Vimana rises vertically from its base in a curvilinear form.
149DRAVIDIAN STYLE in South India
Found between the Krishna river
and Cape Comorin
150DRAVIDIAN STYLE in South India
South-Indian Hindu temples are often like miniature towns
151DRAVIDIAN STYLE in South India
A broad open courtyard (prakaram) surrounds the temple and mandapa (porch) on all sides
152DRAVIDIAN STYLE in South India
The roof contains a vaulted
octagonal or domical structure
153DRAVIDIAN STYLE in South India
composed of
-Vimana
-Mantapams/Mandapas
-Gopurams
-Chautris/Chawadis
154Vimana/Sanctuary
the actual temple, square in plan, and surmounted by a pyramidal roof of one or more stories; and contains the cell in which the image of the god or his emblem is placed
155Mantapams/Mandapas (porches)
always cover and precede the door leading to the cell.
156Gopurams (Gate-pyramids/sculptured gateway)
Principal features in the quadrangular enclosures that surround the more notable temples
157Chaultris/Chawadis (Pillared halls)
used for various purposes, and which are the invariable accompaniments of these temples.
Vertically represents the god’s body with the sikhara as the head and the garbhagriha as the neck, mandapa as the body and gopura as the feet.
158 Steeple
is called ‘shikhara’ or sikhara (summit), represents the mythological ‘Meru’ or the highest mountain peak.
159Shape of the dome
varies from region to region and the steeple is often in the form of the trident of Shiva.
160Inner Chamber ‘Garbhagriha’ or ‘womb-chamber
where the image or idol of the deity ‘murti’ is placed.
161Inner Chamber ‘Garbhagriha’ or ‘womb-chamber
Small unlit shrine for the cult image or symbol crowned with spire-shaped sikhara roof.
162Inner Chamber ‘Garbhagriha’ or ‘womb-chamber
Only the temple priests are
allowed inside.
163Inner Chamber ‘Garbhagriha’ or ‘womb-chamber
Thick walls and heavy ceiling
to protect the deity.
164Temple Hall
Most large temples have a hall for audience to sit, called ‘nata-mandira’ (hall for temple-dancing) where women dancers or ‘devadasis’ used to perform dance rituals
165Temple Hall
Devotees use the hall to sit, meditate, pray, chant or watch the priests
perform the rituals
166Temple Hall
Usually decorated with paintings of gods and goddesses
167Reservoir
If the temple is not in the vicinity of a natural water body, a reservoir of fresh water is built on the temple premises
168Water from the temple reservoir
is used for rituals as well as to keep the temple floor clean or even for a ritual bath before entering the holy abode if there is no nearby body of water.
169Walkway
Most temples have a this around the walls of the inner chamber for circumambulation by devotees around the deity as a mark of respect to the temple's god or goddess
170Brihadeshvara temple
Known as the 'big temple’, it is dedicated to Lord Shiva and is amongst one of the largest temples in the country. The temple tower is a 216 feet high, making it the tallest in the world. Remarkable for its sculptures and bronze
171Jagannath Temple
Temple serves as a stunning example of Hindu architecture, characterized by its towering spire, intricately carved pillars, and an impressive pyramidal structure.
172Jagannath Temple
This ancient Hindu temple is dedicated to Lord Jagannath, a form of Lord Vishnu, and is renowned for its grandeur, rituals, and the annual Rath Yatra, a colossal chariot festival
173Jagannath Temple
The presiding deities of the temple are Lord Jagannath, his elder brother Balabhadra, and their sister Subhadra. The idols are made of wood and are distinct for their incomplete limbs, which are rebuilt every twelve years during the Nabakalebara ceremony.
174Nabakalebara ceremony
This sacred ritual involves transferring the essence of the deities to new idols carved from a sacred tree
175Modhera Sun Temple
is set in the heart of Gujarat. The Modhera Sun Temple is an architectural beauty dedicated to the Sun God, Surya.
176Modhera Sun Temple
It is one of the prime examples of Indian temple architecture
177Modhera Sun Temple
The temple is situated on the banks of the Pushpavati River in the town of Modhera and offers a glimpse into the rich history and culture of Gujarat
178JAIN ARCHITECTURE
Concept of `mountains of immortality’ – building of temple-cities on hills
179JAIN ARCHITECTURE
Temples - militant aura around them, surrounded by embattled walls
180JAIN ARCHITECTURE
Divided into wards similar to fortified cities with parapets and niches to repel
armed aggression.
181JAIN ARCHITECTURE
Considered richest temples in the world, surpassing even Mughal buildings in grandeur and material wealth.
182PILLARS ( Element of Jain temples)
All Jain temples have many marble pillars which are carved beautifully with Demi god posture.
183PILLARS ( Element of Jain temples)
Jain temples have numerous pillars having a well-designed structure, forming squares.
The squares thus formed create chambers, used as small chapels and contains the image of a deity
184PILLARS ( Element of Jain temples)
have richly carved brackets that emerge at about two thirds of their height
185ROOFS ( Element of Jain temples)
have pointy and flat domes and wherever there is a dome, the pillars are omitted to create an octagonal space within
186ROOFS ( Element of Jain temples)
has stonework ceilings that are elaborately carved
187CHAUMUKH DESIGN
A four-faced design, considered to be one of the most sacred symbols in Jainism, as it represents Tirthankara in his full enlightened state.
188CHAUMUKH DESIGN
Entry into these temples is also from four doors that face the cardinal directions.
189Mandapa (PARTS OF JAIN TEMPLES)
the entrance hall, is a large open space, typically pillared and serves as gathering place for worshipers
190Garbhagriha(PARTS OF JAIN TEMPLES)
the central shrine and the most sacred part of the temple that houses the image of a Jain deity.
191Mukhamandapa(PARTS OF JAIN TEMPLES)
– a pillared hall in front of the garbhagriha. This space is used for prayers and rituals and is often adorned with intricate carvings and sculptures
192Shikhar(PARTS OF JAIN TEMPLES)
– dome-like structure that sits atop the temple and is meant to symbolize the spiritual aspirations of Jain devotees
193Vedi(PARTS OF JAIN TEMPLES)
the altar in front of the garbhagriha where offerings are made to the deity.
194Torana(PARTS OF JAIN TEMPLES)
an ornate gateway or archway that serves as the entrance to the temple