GOTHIC

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1
A
STORY OF LIGHT, HOPE, AND
REACHING FOR HEAVEN
GOTHIC ARCHITECTURE
2
CHARACTERISTICS
“Style Ogivale”
Pointed arches
• Flying buttresses
• Rib vaults
• Stained glass
• Cathedral planning
3
Emerging in ___________, Gothic architecture represented
a dramatic shift from the heavy, fortress-like Romanesque style.
Rather than emphasizing mass and solidity, Gothic architects
sought height, light, and openness. Their innovations in structural
engineering allowed them to build taller buildings with thinner
walls and larger windows than ever before.
12th-century France
4
• Although the term "Gothic" was originally used during the
Renaissance as a criticism—suggesting the style was _________
compared to classical architecture—it is now recognized as one
of the greatest achievements in architectural history
"barbaric"
5
Between the 12th and 15th centuries, Europe experienced:
• Population growth.
• Expansion of trade.
• Development of universities.
• Increased wealth of towns and cities.
THE RISE OF MEDIEVAL CITIES
6
The Roman Catholic Church was the most powerful institution in medieval Europe.
• Cathedrals served as:
• Places of worship.
• Centers of education.
• Community gathering spaces.
• Pilgrimage destinations.
• Symbols of God's presence on Earth.
THE INFLUENCE OF THE CHURCH
7
The Gothic style is generally
considered to have begun with the
renovation of the Abbey Church of
Saint-Denis near Paris under Abbot
Suger in the 1140s.
ABBOT SUGER AND THE BIRTH OF GOTHIC
ARCHITECTURE
8
The Gothic style is generally
considered to have begun with the
renovation of the Abbey Church of
Saint-Denis near Paris under Abbot
Suger in the 1140s.
• Suger's vision emphasized:
More natural light.
• Greater height.
• Rich symbolic decoration.
9
The Gothic cathedral was designed to symbolize:
Heaven on Earth.
• Spiritual aspiration.
• The triumph of Christianity.
• Divine order and harmony
10
The Gothic cathedral was designed to symbolize:
• Heaven on Earth.
• Spiritual aspiration.
• The triumph of Christianity.
• Divine order and harmony.
Every architectural element had both a structural and symbolic
purpose.
PHILOSOPHY OF GOTHIC ARCHITECTURE
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A mazelike pattern inlaid in the pavement of a medieval church.
Labyrinth
12
A chapel endowed for the saying of Masses and prayers for the souls of the founders or of persons named by them
chantry
13
The space about the altar of a church for the clergy and choir, often elevated above the nave and separated from it by a railing or screen
chancel
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A separately dedicated part of a church for private prayer, meditation, or small religious services.
chapel
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The rounded east end of a gothic cathedral, including the apse and ambulatory.
Chevet
16
An aisle encircling the end of the choir or chancel of a church. Also called deambulatory
Ambulatory
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the part of a church occupied by the singers of a choir, usually part of the chancel
choir
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A separte division behind the choir or high altar of a large church
retrochoir
19
A small porch used as a chapel for penitents at the west end of some medieval english churches. Also galilee porch
galilee
20
A chapel dedicated to the virgin mary. usually located behind the high altar of a cathedral at the extremity of the apse
Lady chapel
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the main altar of a church
High altar
22
the part of a church reserved for the officiating clergy
presbytery
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an enclosed place, esp. the land surrounding or beside a cathedral
close
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a covered passage, esp. one between the transept and chapter house of a cathedral. Also, slip.
slype
25
The place where the chapter of a cathedral or monastery meets, usually a building attached to or a hall forming part of the cathedral or monastery.
chapter house
26
an assembly of the monks in a monastery or the members of a religious house or order
chapter
27
an atrium or cloister beside a church
paradise
28
a covered walk having an arcade or colonnade on one side opening onto a courtyard
cloister
29
gothic cathedral window
rose window, tracery, stained glass
30
highest point of cathedral
transept spire
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near the flying buttress or the pointed part is
pinnacle
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a slender spire rising from the ridge of a roof, esp. one above the crossing of a gothic church
Fleche
33
a relatively small, usually foliated ornament terminating the peak of a spire or pinnacle
Finial
34
a projecting ornament, usually in the form of curved foliage, used esp. in Gothic architecture to decorate the outer angles of pinnacles, spires, and gables
crocket
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