bu midterms exam

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1
technology of designing spaces to meet
hearing needs
ARCHITECTURAL ACOUSTICS
2
branch of acoustics that deals with
providing rooms and buildings with good
conditions for listening to speech and music
ARCHITECTURAL ACOUSTICS
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Basic elements ARCHITECTURAL ACOUSTICS
- Source
- Transmission Path
- Receive
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Whisper; quiet room
- Faint
- Will not cause damage
- Lawn mower, City Traffic
- In 4 hrselectric drill
- 1 hrpersistence of sound after the cause of
sound has stopped
caused when reflected sound at
sufficient intensity reaches a listener
approximately 70 msec or more
- annoying and make speech less
intelligibleused for reduction of noisethree families of devices for sound absorption:lime or gypsum binderwith incombustible mineral
binderlong wood fibermineral fibersFibrous materials combined with a
binder agent
- sprayed on with an air gun or blower.
most common: mineral wood, hair
felt, wood fiber. and glass fiber.
- Thickness of blankets: between 1
1/2 and 4 inches
- greater thickness are sometimes
used in special applicationsmost common: mineral wood, hair
felt, wood fiber. and glass fiber.
- Thickness of blankets: between 1
1/2 and 4 inches
- greater thickness are sometimes
used in special applicationsALUE OF J breaking direct connections between
building components, such as ceilings and
walls, to disrupt the path of vibrations and
minimize their impact.
30-40 db
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Moderate rainfall; normal convo
- Moderator
50-60 db
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Beginning of hearing damage
- After 8hrs of exposure
Higher than 85 db
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- Lawn mower, City Traffic
- In 4 hrs
88 db
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hairdryer, garbage disposal
- 2 hrs
91 db
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electric drill
- 1 hr
94 db
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motorcycle
- 30 mins
97 dB
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mp3 player, snowmobile
- 15 minutes
100 dB
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leaf blower, stadium football game
- 30 seconds
115 dB
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rock concert, ambulance siren
- 8 seconds
120 dB
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fire alarm, firecracker
125 dB
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jet engine at take off, gunshot
- damage in immediate hearing
140 dB
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THEATER OF EPIDAURUS
- Spectators capacity:
: 11,750-14,700
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CAVEA:
ORCHESTRA:
HEIGHT:
119 mts,
24.65 mts
approx. 59 mts
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Seats: THEATER OF EPIDAURUS
limestones and marbles
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persistence of sound after the cause of
sound has stopped
Reverberation
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Old churches
Tall ceiling, open plan, arches, domes and
little windows, shape itself, marble and
concrete stones
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should hear the speaker of performer with the
same degree of loudness and clarity
Sound path
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sound hits a surface that is neither
predominantly absorptive nor sound
transparent
REFLECTIONS
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sound reflects off a hard polished
surface
SPECULAR REFLECTION
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design procedure for analyzing
reflected sound distribution
throughout a hall
- using the first reflection
RAY DIAGRAM
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reflect sounds
Non-absorptive surfaces:
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caused when reflected sound at
sufficient intensity reaches a listener
approximately 70 msec or more
- annoying and make speech less
intelligible
ECHOES
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focus reflected sound into
certain-areas of rooms
Ex: Concave domes, vaults, or walls
- will deprive some listeners of useful
sound reflection and cause hot spots
at other audience positions
FOCUSING
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converse of focusing and occurs
primarily when sound is reflected
from convex surfaces.
- provided
by flat horizontal inclined reflectors
DIFFUSION
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reflection of sound along a curved
surface
CREEP
30
used for reduction of noise
ACOUSTICAL MATERIALS
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- The rate which sound is absorbed in a room
is a prime factor in reducing noise and
controlling reverberation.
ABSORPTION
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three families of devices for sound absorption:
a. Fibrous materials
b. Panel resonators
c. Volume resonators
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principal type of
material available for acoustical
treatment
acoustical tile
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mechanically perforated units
backed with absorbent material
PRE FABRICATED UNITS
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TYPES OF ACOUSTICAL MATERIALS THREE (3) CATEGORIES:

1. PRE FABRICATED UNITS
2. ACOUSTICAL PLASTER AND SPRAYED
3. ACOUSTICAL BLANKETS
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pined or granular - appearing
surface.
TYPE I
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with Portland cement binder.
Class A TYPE I
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lime or gypsum binder
Class B TYPE I
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with incombustible mineral
binder
Class C TYPE I
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perforated surface; in a regular
pattern
TYPE II
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perforated surface (acts as a
covering and support)
Class A TYPE II
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circular perforations
Class B TYPE II
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slots or grooves
Class C TYPE II
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Units having a fissured surface
-VERMICULITE : GOOD
INSULATORS
TYPE III
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felted fiber surface
TYPE IV
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long wood fiber
Class A TYPE IV
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fine felted vegetable fiber or
wood pulp
Class B TYPE IV
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mineral fibers
Class C TYPE IV
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On materials
- comprise plastic and porous
materials applied with a trowel and
fibrous materials
- combined with binder agents
ACOUSTICAL PLASTER AND SPRAYED
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composed of a cementitious material
such as gypsum, portland cement,
or lime with or without an aggregate
TYPE I – ACOUSTIC PLASTER
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Acoustic materials other than
acoustic plaster which are applied
with a trowel
TYPE II
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Fibrous materials combined with a
binder agent
- sprayed on with an air gun or blower.
TYPE III
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- mineral or wood wool, glass fibers,
kapok batts, and hair felt
- The physical characteristics of the
materials in each of these categories
will now be considered.
ACOUSTICAL BLANKETS
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most common: mineral wood, hair
felt, wood fiber. and glass fiber.
- Thickness of blankets: between 1
1/2 and 4 inches
- greater thickness are sometimes
used in special applications
ACOUSTICAL BLANKETS
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absorb the widest range of frequencies
POLYURETHANE FOAM SOUND ABSORBER
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allows you to create many different designs.
Install vertically, horizontally, diagonally,
checkerboard
MELAMINE FOAM LINEAR WEDGES
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Flat Surfaced
MELAMINE FOAM SOUND ABSORBER
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Convoluted or Flat Surface Pattern
MELAMINE FOAM COMPOSITE SOUND
CONTAINMENT SYSTEM
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Soft Textured Beaded Surface
ACOUSTICAL BAFFLES
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Plain, mounted with fiberglass core
encapsulated in polyvinyl fil or sail cloth.
SAILCLOTH AND VINYL ENCAPSULATED
ACOUSTIC BAFFLES
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Quilted pattern made of Acoustical foam or
Fiberglass core
ABSORPTIVE/ NOISE BARRIER QUILTED
CURTAINS
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Soft gray, ideal behind acoustic fabric,
perforated or slotted panel surfaces
INSULATOR
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Non Abrasive, slightly textured, porous
POROUS EXPANDED POLYPROPYLENE (PPE)
ACOUSTICAL WALL PANELS
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Flat surface, vinyl noise barrier with
polyurethane foam vibration decoupler.
POLYURETHANE FOAM COMPOSITE SOUND
CONTAINMENT SYSTEM
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ACOUSTICAL DESIGN OF
ROOMS & THEATERS FLOOR PLAN
seating should be arranged the way
audience is near the stage
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direct and reflected sound
give rise to echoes
path length 65 feet or more
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produce a blurring quality
which may result in a lack of
"intimacy"
Path length of 50-65 feet or more
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Angle of elevation of the room in an
auditorium i
not be less than 8
degrees
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CEILING
Large room =
1/3 USING THE WIDTH
70
CEILING Small room
2/3 USING THE WIDTH
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a sloping or beveled surface
or angle as of the side of a
doorway, a spreading
expansion, enlargement
SPLAY
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sound that travels through the air from its
source to a receiver
AIRBORNE NOISES
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which travels through
physical structures like walls or floors
structure-borne noise,
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implementation of acoustic absorption
techniques
CONTROLLING AIRBORNE NOISES
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trap and reduce reverberation
ACOUSTIC SLABS
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sealing existing gaps and holes
ACOUSTIC SEALANTS
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CONTROLLING AIRBORNE NOISES (3)
a. ACOUSTIC WALL PANELS
b. ACOUSTIC SLABS
c. ACOUSTIC SEALANTS
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Level of airborne sound insulation relies on the
following general principles:
FLEXIBILITY/RIGIDITY
- EFFICIENCY
- MASS
- ISOLATION
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transmission of sound through solid
structures
SOLID NOISES/“Structure borne noise”
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CONTROLING SOLIDBORNE NOISES
a. ISOLATION
FLOATING FLOORS
DECOUPLING TECHNIQUES
VIBRATION REDUCTION
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rigidly coupling the vibrating source
to a large mass(inertia block)
● DAMPING
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supporting the vibrating mass on
resilient supports.
ISOLATION
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a distance of 100 pipe diameters
beyond the pump resilient pipe
PUMPS
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to structural elements
- absorb and convert vibrations into
heat
VIBRATION DAMPENERS
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Formulate the Sabine’s formula
WALLACE CLEMENT SABINE
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Sabine’s formula
TR=KxV/summation of SA (SEC)
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VALUE OF K IN FT
0.049 (ft^3)
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VALUE OF K IN METER
0.16 (m^3)
89
period required for the sound level to
decrease 60 dB
REVERBERATION TIME (TR)
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HOW MANY DB FOR typical room background
40 dB
91
DESIRABLE REVERBERATION TIME
Medium sized general purpose auditorium
Classroom
Restaurants
Multi Purpose
around 2 secs
<1sec (0.60 sec)
1 sec
= 1.2 secs
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isolating structural elements
- through the use of resilient materials or
isolators strategically placed between
components
ISOLATION
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resilient underlayment or a floating floor
system, vibrations are absorbed
FLOATING FLOORS
94
breaking direct connections between
building components, such as ceilings and
walls, to disrupt the path of vibrations and
minimize their impact.
DECOUPLING TECHNIQUES
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