1technology of designing spaces to meet
hearing needs
ARCHITECTURAL ACOUSTICS
2branch of acoustics that deals with
providing rooms and buildings with good
conditions for listening to speech and music
ARCHITECTURAL ACOUSTICS
3Basic elements ARCHITECTURAL ACOUSTICS
- Source
- Transmission Path
- Receive
4Whisper; quiet room
- Faint
- Will not cause damage
- Lawn mower, City Traffic
- In 4 hrselectric drill
- 1 hrpersistence of sound after the cause of
sound has stopped
caused when reflected sound at
sufficient intensity reaches a listener
approximately 70 msec or more
- annoying and make speech less
intelligibleused for reduction of noisethree families of devices for sound absorption:lime or gypsum binderwith incombustible mineral
binderlong wood fibermineral fibersFibrous materials combined with a
binder agent
- sprayed on with an air gun or blower.
most common: mineral wood, hair
felt, wood fiber. and glass fiber.
- Thickness of blankets: between 1
1/2 and 4 inches
- greater thickness are sometimes
used in special applicationsmost common: mineral wood, hair
felt, wood fiber. and glass fiber.
- Thickness of blankets: between 1
1/2 and 4 inches
- greater thickness are sometimes
used in special applicationsALUE OF J breaking direct connections between
building components, such as ceilings and
walls, to disrupt the path of vibrations and
minimize their impact.
30-40 db
5Moderate rainfall; normal convo
- Moderator
50-60 db
6Beginning of hearing damage
- After 8hrs of exposure
Higher than 85 db
7- Lawn mower, City Traffic
- In 4 hrs
88 db
8hairdryer, garbage disposal
- 2 hrs
91 db
9electric drill
- 1 hr
94 db
10motorcycle
- 30 mins
97 dB
11mp3 player, snowmobile
- 15 minutes
100 dB
12leaf blower, stadium football game
- 30 seconds
115 dB
13rock concert, ambulance siren
- 8 seconds
120 dB
14fire alarm, firecracker
125 dB
15jet engine at take off, gunshot
- damage in immediate hearing
140 dB
16THEATER OF EPIDAURUS
- Spectators capacity:
: 11,750-14,700
17CAVEA:
ORCHESTRA:
HEIGHT:
119 mts,
24.65 mts
approx. 59 mts
18Seats: THEATER OF EPIDAURUS
limestones and marbles
19persistence of sound after the cause of
sound has stopped
Reverberation
20Old churches
Tall ceiling, open plan, arches, domes and
little windows, shape itself, marble and
concrete stones
21 should hear the speaker of performer with the
same degree of loudness and clarity
Sound path
22sound hits a surface that is neither
predominantly absorptive nor sound
transparent
REFLECTIONS
23sound reflects off a hard polished
surface
SPECULAR REFLECTION
24design procedure for analyzing
reflected sound distribution
throughout a hall
- using the first reflection
RAY DIAGRAM
25reflect sounds
Non-absorptive surfaces:
26caused when reflected sound at
sufficient intensity reaches a listener
approximately 70 msec or more
- annoying and make speech less
intelligible
ECHOES
27focus reflected sound into
certain-areas of rooms
Ex: Concave domes, vaults, or walls
- will deprive some listeners of useful
sound reflection and cause hot spots
at other audience positions
FOCUSING
28converse of focusing and occurs
primarily when sound is reflected
from convex surfaces.
- provided
by flat horizontal inclined reflectors
DIFFUSION
29reflection of sound along a curved
surface
CREEP
30used for reduction of noise
ACOUSTICAL MATERIALS
31- The rate which sound is absorbed in a room
is a prime factor in reducing noise and
controlling reverberation.
ABSORPTION
32three families of devices for sound absorption:
a. Fibrous materials
b. Panel resonators
c. Volume resonators
33 principal type of
material available for acoustical
treatment
acoustical tile
34mechanically perforated units
backed with absorbent material
PRE FABRICATED UNITS
35TYPES OF ACOUSTICAL MATERIALS THREE (3) CATEGORIES:
1. PRE FABRICATED UNITS
2. ACOUSTICAL PLASTER AND SPRAYED
3. ACOUSTICAL BLANKETS
36pined or granular - appearing
surface.
TYPE I
37with Portland cement binder.
Class A TYPE I
38lime or gypsum binder
Class B TYPE I
39with incombustible mineral
binder
Class C TYPE I
40perforated surface; in a regular
pattern
TYPE II
41perforated surface (acts as a
covering and support)
Class A TYPE II
42circular perforations
Class B TYPE II
43slots or grooves
Class C TYPE II
44Units having a fissured surface
-VERMICULITE : GOOD
INSULATORS
TYPE III
45felted fiber surface
TYPE IV
46long wood fiber
Class A TYPE IV
47fine felted vegetable fiber or
wood pulp
Class B TYPE IV
48mineral fibers
Class C TYPE IV
49On materials
- comprise plastic and porous
materials applied with a trowel and
fibrous materials
- combined with binder agents
ACOUSTICAL PLASTER AND SPRAYED
50composed of a cementitious material
such as gypsum, portland cement,
or lime with or without an aggregate
TYPE I – ACOUSTIC PLASTER
51Acoustic materials other than
acoustic plaster which are applied
with a trowel
TYPE II
52Fibrous materials combined with a
binder agent
- sprayed on with an air gun or blower.
TYPE III
53- mineral or wood wool, glass fibers,
kapok batts, and hair felt
- The physical characteristics of the
materials in each of these categories
will now be considered.
ACOUSTICAL BLANKETS
54most common: mineral wood, hair
felt, wood fiber. and glass fiber.
- Thickness of blankets: between 1
1/2 and 4 inches
- greater thickness are sometimes
used in special applications
ACOUSTICAL BLANKETS
55absorb the widest range of frequencies
POLYURETHANE FOAM SOUND ABSORBER
56allows you to create many different designs.
Install vertically, horizontally, diagonally,
checkerboard
MELAMINE FOAM LINEAR WEDGES
57Flat Surfaced
MELAMINE FOAM SOUND ABSORBER
58Convoluted or Flat Surface Pattern
MELAMINE FOAM COMPOSITE SOUND
CONTAINMENT SYSTEM
59Soft Textured Beaded Surface
ACOUSTICAL BAFFLES
60Plain, mounted with fiberglass core
encapsulated in polyvinyl fil or sail cloth.
SAILCLOTH AND VINYL ENCAPSULATED
ACOUSTIC BAFFLES
61Quilted pattern made of Acoustical foam or
Fiberglass core
ABSORPTIVE/ NOISE BARRIER QUILTED
CURTAINS
62Soft gray, ideal behind acoustic fabric,
perforated or slotted panel surfaces
INSULATOR
63Non Abrasive, slightly textured, porous
POROUS EXPANDED POLYPROPYLENE (PPE)
ACOUSTICAL WALL PANELS
64Flat surface, vinyl noise barrier with
polyurethane foam vibration decoupler.
POLYURETHANE FOAM COMPOSITE SOUND
CONTAINMENT SYSTEM
65ACOUSTICAL DESIGN OF
ROOMS & THEATERS FLOOR PLAN
seating should be arranged the way
audience is near the stage
66direct and reflected sound
give rise to echoes
path length 65 feet or more
67produce a blurring quality
which may result in a lack of
"intimacy"
Path length of 50-65 feet or more
68Angle of elevation of the room in an
auditorium i
not be less than 8
degrees
69CEILING
Large room =
1/3 USING THE WIDTH
70CEILING Small room
2/3 USING THE WIDTH
71a sloping or beveled surface
or angle as of the side of a
doorway, a spreading
expansion, enlargement
SPLAY
72sound that travels through the air from its
source to a receiver
AIRBORNE NOISES
73 which travels through
physical structures like walls or floors
structure-borne noise,
74implementation of acoustic absorption
techniques
CONTROLLING AIRBORNE NOISES
75trap and reduce reverberation
ACOUSTIC SLABS
76sealing existing gaps and holes
ACOUSTIC SEALANTS
77CONTROLLING AIRBORNE NOISES (3)
a. ACOUSTIC WALL PANELS
b. ACOUSTIC SLABS
c. ACOUSTIC SEALANTS
78Level of airborne sound insulation relies on the
following general principles:
FLEXIBILITY/RIGIDITY
- EFFICIENCY
- MASS
- ISOLATION
79transmission of sound through solid
structures
SOLID NOISES/“Structure borne noise”
80CONTROLING SOLIDBORNE NOISES
a. ISOLATION
FLOATING FLOORS
DECOUPLING TECHNIQUES
VIBRATION REDUCTION
81rigidly coupling the vibrating source
to a large mass(inertia block)
● DAMPING
82supporting the vibrating mass on
resilient supports.
ISOLATION
83a distance of 100 pipe diameters
beyond the pump resilient pipe
PUMPS
84to structural elements
- absorb and convert vibrations into
heat
VIBRATION DAMPENERS
85Formulate the Sabine’s formula
WALLACE CLEMENT SABINE
86Sabine’s formula
TR=KxV/summation of SA (SEC)
87VALUE OF K IN FT
0.049 (ft^3)
88VALUE OF K IN METER
0.16 (m^3)
89period required for the sound level to
decrease 60 dB
REVERBERATION TIME (TR)
90HOW MANY DB FOR typical room background
40 dB
91DESIRABLE REVERBERATION TIME
Medium sized general purpose auditorium
Classroom
Restaurants
Multi Purpose
around 2 secs
<1sec (0.60 sec)
1 sec
= 1.2 secs
92isolating structural elements
- through the use of resilient materials or
isolators strategically placed between
components
ISOLATION
93resilient underlayment or a floating floor
system, vibrations are absorbed
FLOATING FLOORS
94breaking direct connections between
building components, such as ceilings and
walls, to disrupt the path of vibrations and
minimize their impact.
DECOUPLING TECHNIQUES