Gothic

151 flashcardsby zani
Study these flashcardsFree · spaced repetition · iPhone, Android, Mac & web

All cards

1
A STORY OF LIGHT, HOPE, AND
REACHING FOR HEAVEN
GOTHIC ARCHITECTURE
2
Style Ogivale characteristics
• Pointed arches
• Flying buttresses
• Rib vaults
• Stained glass
• Cathedral planning
3
Between the 12th and 15th centuries, Europe experienced: ___________ As cities prospered, cathedrals became symbols of civic pride as well
as religious devotion.
• Population growth.
• Expansion of trade.
• Development of universities.
• Increased wealth of towns and cities.
4
The ____ was the most powerful institution in medieval Europe.
Roman Catholic Church
5
Cathedrals served as:
• Places of worship.
• Centers of education.
• Community gathering spaces.
• Pilgrimage destinations.
• Symbols of God's presence on Earth.
6
The Gothic style is generally
considered to have begun with the
renovation of the Abbey Church of
Saint-Denis near Paris under ____
Abbot Suger in the 1140s.
7
Suger's vision emphasized:
• More natural light.
• Greater height.
• Rich symbolic decoration.
8
The Gothic cathedral was designed to symbolize:
• Heaven on Earth.
• Spiritual aspiration.
• The triumph of Christianity.
• Divine order and harmony.
9
A mazelike pattern inlaid in the pavement of a medieval church.
LABYRINTH
10
A chapel endowed for the saying of Masses and prayers for the souls of the founders or of persons named by them
CHANTRY
11
The part of a church occupied by the singers of a ____, usually part of the chancel.
CHOIR
12
A separate division behind the choir or high altar of a large church.
RETROCHOIR
13
The space about the altar of a church for the clergy and choir, often elevated above the nave and separated from it by a railing or screen.
CHANCEL
14
An alsle encircling the end of the choir or chancel of a church. Also called de_____.
AMBULATORY
15
A separately dedicated part of a church for private prayer, meditation, or small religious services.
CHAPEL
16
A chapel dedicated to the Virgin Mary. usually located behind the high altar of a cathedral at the extremity of the apse.
LADY CHAPEL
17
The rounded east end of a Gothic cathedral, including the apse and ambulatory.
CHEVET
18
A small porch used as a chapel for penitents at the west end of some medieval English churches.
GALILEE
19
A covered walk having an arcade or colonnade on one side opening onto a courtyard.
CLOISTER
20
An atrium or cloister beside a church.
PARADISE
21
An assembly of the monks in a monastery, or the members of a religlous house or order.
CHAPTER
22
The place where the chapter of a cathedral or monastery meets, usually a building attached to or a hall forming part of the cathedral or monastery.
CHAPTER HOUSE
23
A covered passage, esp. one between the transept and chapter house of a cathedral. Also, slip.
SLYPE
24
An enclosed place, esp, the land surrounding or beside a cathedral.
CLOSE
25
The part of a church reserved for the officlating clergy.
PRESBYTERY
26
The main altar of a church.
HIGH ALTAR
27
A slender spire rising from the ridge of a root, esp. one above the crossing of a Gothic church.
FLÈCHE
28
A relatively small, usually follated ornament terminating the peak of a spire or pinnacle.
FINIAL
29
A projecting ornament, usually In the form of curved foliage, used esp. in Gothic architecture to decorate the outer angles of pinnacles, spires, and gables.
CROCKET
30
Became the defining feature of Gothic architecturea
Pointed Arch
31
The Gothic architects and builders discovered the amazing strength and stability of using
Pointed Arches
32
The walls of Gothic buildings could be thinner because the weight of the roof was supported by the ___ rather than the walls.
arches
33
The ___ could not only support greater weights but could also could span greater distances, allowing vaults to be taller and wider.
Arch
34
What encouraged the use of stained glass
The wide window openings due to thin walls
35
The simplest shape is the long opening with a pointed arch known in England as the ____.
Lancet
36
These openings are often grouped, usually as a cluster of three or five.
Lancet Openings
37
_____ openings may be very narrow and steeply pointed.
Lancet
38
_____ arches are typically defined as two-centered arches whose radii are larger than the arch's span.
Lancet
39
is famous for the beauty and simplicity of its Lancet Gothic.
Salisbury Cathedral
40
Many Gothic openings are based upon the ____ form
Equilateral
41
The ____ gives a wide opening of satisfying proportion useful for doorways, decorative arcades and large windows.
Equilateral Arch
42
The _____ was employed as a useful tool, not as a Principle of Design.
Equilateral Arch
43
The ____ is one that is drafted from four points, the upper part of each main arc turning upwards into a smaller arc and meeting at a sharp, flame-like point.
Flamboyant Arch
44
These arches create a rich and lively effect when used for window tracery and surface decoration.
Flamboyant Arch
45
The form is structurally weak and has very rarely been used for large openings except when contained within a larger and more stable arch.
Flamboyant Arch
46
What arch is not employed at all for vaulting.
Flamboyant Arch
47
A notable example of Flamboyant Arch is the doorway to the ____
Chapter Room at Rochester Cathedral
48
is much wider than its height and gives the visual effect of having been flattened under pressure.
The Depressed or four-centred arch
49
Its structure is achieved by drafting two arcs which rise steeply from each springing point on a small radius and then turn into two arches with a wide radius and much lower springing point.
The Depressed or four-centred arch
50
This type of arch, when employed as a window opening, lends itself to very wide spaces, provided it is adequately supported by many narrow vertical shafts.
The Depressed or four-centred arch
51
These are often further braced by horizontal transoms.
The Depressed or four-centred arch
52
A ____ consists of intersecting stone ribs that form the framework of the ceiling.
ribbed vault
53
Advantages of ribbed vault
• Concentrates structural loads on columns and piers.
• Reduces the amount of masonry required.
• Allows wider and taller interior spaces.
• Simplifies construction.
54
Which is lighter and more efficient between barrel vaults and ribbed vaults?
Ribbed Vaults
55
A surface framed by the ribs of a ribbed vault
web
56
A vault supported by or decorated with arched diagonal ribs
Rib vault
57
A rib vault divided into 4 parts by intersecting diagonal ribs
quadripartite vault
58
a rib vault divided into 6 compartments by 2 diagonal ribs and 3 transverse ribs
Sexpartite vault
59
any of several archlike members supporting a vault at the groins, defining its distinct surfaces or dividing these surfaces into panels
rib
60
a rib spanning the longitudinal axis of a rib vault and dividing it into bays or compartments
arc doubleau / transverse rib
61
a rib springing from a point of support on either side of the ogives or transverse ribs of a rib vault
tierceron / intermediate rib
62
a rib against a wall, parallel to the longitudinal axis of a rib vault
formeret / arc formeret / wall rib
63
the keystone at the crown of an arch or at the intersection of 2 or more vaulting ribs
key
64
a horizontal rib marking the crown of a vaulting compartment
ridge rib
65
a rib crossing a compartmemt of a rib vault on a diagonal.
ogive / diagonal rib / groin rib
66
What are the parts of a rib vault
Diagonal Rib, Ridge Rib, Boss, Lierne, Tierceron
67
A rib crossing a compartment of a rib vault on a
diagonal.
Diagonal Rib
68
A horizontal rib marking the crown of a vaulting
compartment.
Ridge Rib
69
An ornamental, knob-like projection at the intersection of
ogives.
Boss
70
A tertiary rib in a vault often for decorative rather than
structural purposes.
Lierne
71
A subsidiary rib which connects a point on the ridge rib
or central boss with one of the main springers or supports.
Tierceron
72
four-part vault divided by diagonal ribs into four
triangular stone panels or cells.
Quadripartite Vault
73
A six-part vault divided into six compartments by adding a
transverse rib across the middle of a quadripartite design.
Sexpartite Vault
74
An adaptation of the standard intersecting barrel vault
using pointed arches to better manage weight distribution and height.
Pointed Groin Vault
75
A complex vault
introducing extra
secondary ribs __ running
from a main support
to the ridge rib for
added geometric
pattern.
Tierceron Vault
76
An even more
intricate style featuring short
connecting ribs between
main structural ribs, creating star-
like web patterns.
Lierne Vault
77
A late English Gothic design featuring
concave, radiating ribs that spread out like an
open fan from a central pier, becoming
primarily ornamental.
Fan Vault
78
Perhaps the most revolutionary innovation of
Gothic architecture.
Flying Buttress
79
is an external support that
transfers the lateral thrust of the roof and vaults away
from the walls to exterior piers.
Flying Buttress
80
Without flying buttresses:
• Walls had to remain ____
• Windows had to remain ____
thick, small
81
With flying buttresses:
• Walls became ____
• Larger stained-glass windows became possible.
• Cathedrals could reach unprecedented heights.
thinner
82
An inclined bar of masonry carried on a segmental arch and transmitting an outward and downward thrust from a roof or vault to a solid buttress that through its mass transforms the thrust into a vertical one.
Flying Buttress
83
A subordinate vertical structure terminating in a pyramid or spire, used esp. in Gothic architecture to add weight to a buttress pier.
Pinnacle
84
The part of a pier that rises to take the thrust of a flying buttress.
Buttress Pier
85
A sloping top on a buttress or projecting pier to shed rainwater.
Amortizement
86
A projecting edge of a buttress.
Nosing
87
A distinct, slender, vertical masonry feature engaged in a wall or pier and supporting or feigning to support an arch or a ribbed vault.
Shaft
88
A shaft that leads to the springer of a rib or group of ribs, either rising from the ground or from a corbel at a greater height in the face of the masonry.
Vaulting Shaft
89
One of the most recognizable features of Gothic churches.
Large Stained-Glass Windows
90
Functions of a Large Stained-Glass Windows
• Admit natural light.
• Teach biblical stories to an illiterate population.
• Create a spiritual atmosphere.
• Demonstrate the wealth of patrons.
91
The colorful light symbolized _____
divine illumination
92
A circular stained-glass window, usually placed above
the main entrance or in the transepts.
Rose Window
93
Everything in a Gothic cathedral directs the eye upward.
Vertical Emphasis
94
Examples of Vertical Emphasis in a Gothic Cathedral
• Tall towers.
• Pointed spires.
• Slender columns.
• High vaults.
95
verticality symbolized humanity's aspiration toward
heaven
96
Gothic cathedrals used _____ that
efficiently carried loads while creating an impression
of lightness and elegance
clustered columns
97
Pointed Pinnacles advantages
• add strength and stability to the structure
• Enables buildings to reach new heights
• make it look light
98
Structural System
• Load Path
• Roof
• Ribbed Vault
• Pointed Arches
• Columns
• Flying Buttresses
• Exterior Piers
• Foundation
99
BUILDING ELEMENTS
Typical Gothic cathedrals include:
• Nave. • Side aisles.
• Transept. • Choir.
• Apse. • Ambulatory.
• Flying buttresses. • Ribbed vaults.
• Pointed arches. • Rose windows.
• Bell towers. • Spires
100
DECORATION
Gothic architecture integrated sculpture, painting, and stained glass.
• Sculptural Subjects
• Christ.
• The Virgin Mary.
• Saints.
• Angels.
• Biblical kings and prophets.
• Gargoyles.
101
These carved stone figures
served two purposes:
1. Decorative and
symbolic—representing evil kept
outside the sacred space.
2. Functional—as
waterspouts directing rainwater
away from the building.
Gargoyles
102
What are the two purposes of Gargoyles
Decorative and symbolic, Functional
103
MATERIALS
Common building materials included:
• Limestone.
• Sandstone.
• Marble (for decorative elements).
• Colored glass.
• Lead (for window framing).
• Oak timber (roof structures).
104
ENGINEERING INNOVATIONS
• Thin Walls
• Possible because external supports carried much of the
structural load.
•Larger Windows
•Allowed by the new structural system • Pointed Arch
•Reduced lateral forces and allowed more flexible proportions.
• Ribbed Vault
• Reduced weight and concentrated loads.
• Flying Buttress
• Transferred forces outside the building.
105
Also called "a lancettes" Distinguished by pointed arches and geometric traceried windows
Primaire (12th Century AD)
106
Also called "Rayonnant" Characterized by circular windows with wheel tracery
Secondaire (13th Century AD)
107
Also called "Flamboyant"
Flame-like window tracery or free-flowing tracery
Tertiare (14th to 16th Century AD)
108
THE THREE GOTHIC IN FRANCE – “L ‘ARCHITECTURE OGIVALE”
Primaire (12th Century AD) Secondaire (13th Century AD) Tertiare (14th to 16th Century AD)
109
• Location: Paris, France
• Construction began in 1163.
Features:
• Flying buttresses.
• Rose windows.
• Ribbed vaults.
• Twin towers.
• Sculptural façades.
It became one of the most influential Gothic cathedrals in Europe
Notre-Dame Cathedral
110
Renowned for its remarkable stained glass
and harmonious design
• Location: Chartres, France
Known for:
• Exceptional stained glass.
• Well-preserved sculptures.
• Labyrinth in the nave floor.
• Innovative flying buttresses.
Many of its original stained-glass windows survive today
Chartres Cathedral
111
One of the tallest complete Gothic cathedrals in France.
• Location: Amiens, France
The largest Gothic cathedral in France.
Features:
• Vaults reaching approximately 42 meters.
• Extensive sculpture.
• Remarkable verticality
Amiens Cathedral
112
• Location: Reims, France
The traditional coronation
church of French kings.
Known for:
• Elaborate façade.
• Sculptural
programs.
• Elegant
proportions.
Reims Cathedral
113
• Location: Cologne, Germany
One of the tallest cathedrals in
the world.
Features:
• Twin spires.
• Monumental scale.
• Gothic detailing.
Construction spanned more
than six centuries
Cologne Cathedral
114
Includes the raising of most of major Romanesque churches and castles
NORMAN (1066 to 1154 AD)
115
Pointed arches in Romanesque structures
TRANSITIONAL (1154 to 1189 AD)
116
• Equivalent to High Gothic in France
• Also called "Lancet" or "First Pointed" style, from long narrow pointed windows
EARLY ENGLISH (1189 to 1307 AD)
117
• Window tracery is "Geometrical" in form, and later, flowing tracery patterns and curvilinear surface pattern
• Also called "Second Pointed", equivalent to French "Flamboyant" style
DECORATED (1307 to 1377 AD)
118
Also called "Rectilinear" or "Third Pointed"
PERPENDICULAR (1377 to 1485 AD)
119
Increasing application of Renaissance detail
TUDOR (1495 to 1558 AD)
120
Renaissance ideas take strong hold
ELIZABETHAN (1558 to 1603 AD)
121
GOTHIC IN ENGLAND
NORMAN
TRANSITIONAL
EARLY ENGLISH
DECORATED
PERPENDICULAR
TUDOR
ELIZABETHAN
122
A historic Gothic church in central London, England,
hosted every coronation since William the Conqueror
in 1066 ( most recently King Charles III in 2023)
WESTMINSTER ABBEY
123
• Complex of church, royal palace and burial grounds
• Most important medieval building in Britain
• Widest (32 m) and highest vault in England (102 ft)
WESTMINSTER ABBEY
124
famous for its
stunning
collection of
Stained glass
Gloucester cathedral
125
is a famous 13th century Gothic church in Wiltshire, England. It has the tallest spire (404 feet)
Salisbury Cathedral
126
was slain inside the cathedral by knights of King Henry II in December 1170
Archbishop Thomas Becket
127
Archbishop Thomas
Becket was slain
inside this cathedral
Canterbury Cathedral
128
is a massive Gothic
catholic church in Germany,
Famous for its 157-meter twin spires.
Cologne Cathedral
129
• Strong Moorish influences: the use of
horseshoe arches and rich surface
decoration of intricate geometrical
and flowing patterns
• Churches had flat exterior
appearance, due to chapels inserted
between buttresses
GOTHIC IN SPAIN
130
Largest Medieval church in Europe
Second largest church in the world, next to St. Peter's, Rome
Seville Cathedral (1402 to 1520 AD)
131
It is one of the largest cathedrals in Spain in size and its bell
tower, at 92 meters high, is also one of the tallest.
SALAMANCA CATHEDRAL
132
First major Spanish Gothic building modeled after French Gothic
cathedrals.
Features iconic open-work spires added by the Colonia family in
the 15th century.
Houses the Escalera Dorada (Golden Staircase), a grand
Renaissance stair design.
Displays an evolution of styles from early Gothic to Renaissance
and Baroque.
Burgos Cathedral
133
• Led the way in Europe, in terms of art, learning and commerce
• Cultural revival was taking place in Italy in advance of northern Europe
• Roman tradition remained strong
• This arrested the development of Gothic architecture in Italy
• Verticality of Gothic is generally neutralized by horizontal cornices and string
courses
• Absence of pinnacles and flying buttresses
• Small windows without tracery
• Projecting entrance porches with columns on lion-like beasts
GOTHIC IN ITALY
134
• Designed by
• Essentially Italian in character, without the vertical
• Features of Gothic
• Peculiar latin cross plan with campanile and baptistery
Florence Cathedral or S. Maria del Fiore
135
who designed Florence Cathedral or S. Maria del Fiore
Arnolfo di Cambio
136
What cross plan did Florence Cathedral or S. Maria del Fiore incorporate
latin
137
• Largest Medieval cathedral in Italy
• 3rd largest cathedral in Europe
Milan Cathedral
138
The cathedral was designed and built between 1215 and 1263
on the site of an earlier structure. It has the form of a Latin cross
with a slightly projecting transept, a dome and a bell tower.
Siena Cathedral (Use of striped marbles)
139
• One of most stupendous undertakings since
the building of the Pisa cathedral
• Outcome of civic pride - all artists in Siena
contributed their works to its building and
adornment
• Cruciform plan
• Zebra marble striping on wall and pier
Siena Cathedral
140
• Irregular in plan
• Most beautiful and poetic of all
Spanish cathedrals
Burgos Cathedral (1221 - 1457 AD)
141
Built on mounds above rivers, with thick walls and small windows.
Chateau D'Amboise, France
142
Erected by new and wealthy trading families
MANOR HOUSES
143
Parts of MANOR HOUSES
great hall, room with solar room, chapel,
latrine chamber, service rooms, kitchens, central hearth
144
Parts of Tudor Manor Houses
• increased rooms, quadrangular court, battlement
• parapets, and gateways, chimneys, buttery (butler’s
• pantry), oven, pantry, serving area and storage,
larder
• (food storage), wardrobe, oratory-study, private
chapel
• with altar and crucifix, scullery, brew house
145
Represents closeness to God.
Height
146
Represents divine wisdom and grace.
Light
147
Represents heaven and eternity.
Rose Window
148
Represents the crucifixion of Christ.
Cross-Shaped Plan
149
Represent the triumph of good over evil while protecting the building
from rainwater.
Gargoyles
150
Gothic architecture influenced
• Ecclesiastical architecture throughout Europe.
• University buildings.
• Town halls.
• Revival styles of the 19th century (Neo-Gothic).
151
CHARACTERISTICS OF GOTHIC ARCHITECTURE
Pointed Arch
Ribbed Vault
Flying Buttress
Rose Window
Vertical Emphasis
Study all 151 cards for free