11. 3 Genres
Poetry
Prose
Drama
22. 3 Forms of Literary Expression
American Literature
British Literature
Works in Translation
33. Prose
The most common form of written language following natural speech
patterns and grammatical structure
44. Phonic
Pertaining to sound from speech
55. Fiction
Imaginary narrative; the information or events are created by the author
66. Non-Fiction
Writing that delivers factual events and observations
77. Satire
Literary form that ridicules human vices or shortcomings
88. Truth
Fact or reality that transcends genres
99. Novel
An extended fictional narrative written in prose that includes characters,
plot, and setting
1010. Romance
Longer prose narrative, originally associated with the legendary,
imaginative and poetic
1111. Mode
A broad literary method not tied to one specific form or genre, such as
irony or satire
i.e. realism, romanticism, impressionism, expressionism, naturalism, or neo-classicism
1212. Realism
Delivering subject from third-person objective point of view with no
added interpretation or elaboration
1313. Romanticism
An artistic and literary movement originating in the second half
of the eighteenth century in Europe, emphasizing emotions, idealism, adventure,
and chivalry
1414. Impressionism
Subjective or personal literary style that relies on associations;
style adapted from nineteenth century school of painters including Monet and Renoir
1515. Expressionism
Subjective depiction of the real world through imagination, the
abstract and symbols
1616. Naturalism
Literary movement that depicts life as accurately as possible, illustrating transformation in society through environment and hereditary.
1717. Neo-classicism
A style of prose and poetry from the 17th and 18th centuries,
reviving a classical style from Greek and Roman cultures.
1818. Static
A character who stays the same throughout a literary work.
1919. Dynamic
A character whose personality changes over the course of a narrative
or who has the ability for such a change
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2220. Protagonist
Main character in a literary work; literally, one who struggles toward
or for something
2321. Antagonist
The one who struggles against or contends with the protagonist;
the antagonist may be another individual or an obstacle or challenge, such as fear
or death
2422. Stock
A well understood and accepted interpretation of an image, symbol or
character; a character who exists for necessity of a plot
2523. Stereotype
A popularly held belief about a particular group of individuals
2624. Foil
A character who highlights through contrast opposite characteristics in
another character
2725. Allegorical
A narrative that is an extended metaphor; the elements of the
narrative carry significance on a literal and figurative level
2826. Theme
Statement summarizing the message or the big idea of a story
2927. Topic
Phrase stating subject or theme of a work or speech
3028. Motif
An object, concept or structure repeated in a literary work; thereby giving
it symbolic significance in the story
3129. Point of View
The perspective or vantage point from which the author chooses
to tell the story
3230. 4 Categories of Essays
speculative, argumentative, narrative, and expository
3331. Speculative
Writing or discourse that explores ideas
3432. Argumentative
Describes writing - usually an essay - that establishes a position and supports it with evidence
3533. Narrative
Has speculative and arguementative; the events that tell the story
3634. Expository
Writing or discourse with the primary purpose of informing, clarifying, or explaining
3735. Voice
The speaker. In non-fiction, the author; in fiction, the narrator; may also
refer to the style chosen by the writer, such as formal or informal
3836. Style
How an author writes; incorporates diction, syntax, use of narration and
dialogue, choice point of view, and description
3937. Structure
Organization of a literary work
4038. Thought
Idea the essayist is conveying
4139. Irony
Discrepancy between what is said and what is done or meant
4240. Parody
A work that mocks an original work, character or style through humerous imitation
4341. Reversal/Inversion
Doing or saying the opposite or unexpected; using irony
4442. Hyperbole
Exaggeration or overstatement
4543. Understatement
Expression of an idea with less force or strength than expected for the sake of humor
4644. Sarcasm
Harsh or biting verbal irony
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4945. Wit
Intellectual humor; in poetry, wit works through word play to emphasize
concepts
5046. Invective
Writing that attacks a person or idea through emotional language
5147. Verse
A line of poetry (versus); often used to refer to a section or stanza of a
poem
5248. Meter
Basic rhythmic structure for lines in poetic verse
5349. Stanza
In poetry, a group of lines set off by space; also referred to as a verse
5450. Rhyme Scheme
Pattern of repetition of rhyme within a poem designated by
aabb or abab, where a marks the first line and all the other lines rhyming with it
5551. End rhyme
Repetition of similar sounds in two or more words, found in the final
syllable(s) of the lines of poetry
5652. Internal rhyme
A word rhyming at the end of a line with a word in the middle of
a line
5753. Slant rhyme
Repetition of final consonant in only 2 words; also referred to as
near rhyme or off rhyme, it is consonance in the consonants of the rhyming words
such as "all" and "bell" or "mirth" and "hearth"
5854. Masculine rhyme
A rhyme that matches just one syllable, often a stressed
syllable found at the end of lines
5955. Feminine rhyme
Two or more syllables match in the rhyming words; the final
syllable or syllables are unstressed
6056. free verse
poetry using natural rhythms of word and phrases instead of required
metrical feet
6157. blank verse
Unrhymed iambic pentameter
6258. iambic rhythm
rising and falling rhythm in poetry from alternating stressed and
unstressed syllables
6359. iambic meter/foot
an unstressed syllable followed by a stressed syllable
6460. iambic pentameter
Line of five feet, each with an unstressed syllable followed
by a stressed syllable
6561. foot
Basic unit of meter consisting of a set number of stressed and unstressed
syllables
6662. hexameter
Line with six metrical feet; most common
6763. monometer
Line with one metrical foot
6864. dimeter
Line with two metrical feet
6965. trimeter
Line with three metrical feet
7066. tetrameter
Line with four metrical feet
7167. heptameter
Line with seven metrical feet
7268. octameter
Line with eight metrical feet
7369. anapest
Metrical foot used in poetry consisting of 2 short syllables followed by
a long syllable
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7670. dactyl
A foot in meter in poetry; in Greek or Latin verse, it is a long syllable
followed by 2 short syllables; in English verse, it is a stressed syllable followed by 2
unstressed syllables
7771. accentual meter
Stressed rhythmic structure of poetic lines
7872. Metaphor
compares 2 unlike things, feelings or objects
7973. Simile
compares 2 dissimilar things; always using "as if" (for a clause) or "like"
(for a word or phrase)
8074. Allusion
A reference to a person, place or thing from another literary work or
history.
8175. Personification
Figure of speech that attributes human characteristics to inanimate objects or animals
8276. Image
Word picture painted by the writer
8377. Imagine
To visualize the picture(s) evoked by the writer through the senses
8478. Imagisim
Term coined by Ezra Pound for free imagery, open to many interpretations
8579. Symbol
An object, image, word or feeling that represents something greater
8680. Stock
A well-understood and accepted interpretation of an image, symbol or
character; a character who exists for the necessity of the plot
8781. Conventional
Following acceptable standards; a well-understood interpretation
8882. Alliteration
the repetition of consonants at the beginning of words that are close
by each other
8983. Apostrophe
the direct address of someone or something that is not present
9084. Assonance
the repetition of vowel sounds usually internally rather than initially
9185. Bathos
the deliberate anticlimax to make a definite point or draw attention to a
falseness
9286. Caesura
the pause, marked by punctuation (/) or not within the line
9387. Conceits
very elaborate comparisons between unlikely objects
9488. Consonnance
the repetition of consonant sounds without the vowel being
repeated
9589. Diction
word choice
9690. Enjambment
the running-on of one line of poetry into another
9791. Hyperbole
a large overstatement used to draw attention to a mark of beauty or
virtue or an action that the poet disagrees with
9892. Irony
discrepancy between what is said and what is meant or done
9993. Metonomy
the name for something closely related to it which then takes on a
larger meaning
10094. Ontomontopia
a device in which the word captures the sound
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10395. Oxymoron
a form of paradox in which contradictory words are used next to
each other i.e. painful pleasure
10496. Paradox
a situation or action or feeling that appears to be contradictory but on
inspection turns out to be true or at least make sense
10597. Pun
a play on words for a humorous or sarcastic effect
10698. Sarcasm
when verbal irony is too harsh
10799. Synedoche
when a part of an object is used to represent the whole or vice
verse
108100. Syntax
the ordering of words into a particular pattern
109101. Tone
the voice or attitude of the speaker
110102. Dramatic monologue
speech delivered by a single character who addresses
the reader or an internal listener and reveals his or her innermost thoughts and
feelings
111103. form
pattern or design of a poem; open/closed form
112104. open form
poetry that does not follow a predetermined form; freedom in the
form of a poem
113105. closed form
poetry conforming to pre-specified requirements of rhyme, meter,
line length, and number of lines; two examples are haiku and sonnet
114106. fixed form
any one of three 14th and 15th century French poetic forms; the
ballad, the virelai, and rondeau
115107. sonnet
specific poetic pattern of 14 lines arranged in a set rhyme scheme;
two common sonnets are Italian or Petrarchan, with a rhyme scheme of abba, abba,
cdecde, and English or Shakespearean with abab, cdcd, efef, gg
116108. octave
poetic verse of 8 lines of iambic pentameter, usually with a rhyme
scheme of abba abba
117109. sestet
poetic verse of 6 lines
118110. quatrains
four lines of verse making up a stanza or poem
119111. couplet
2 consecutive lines in poetry, usually with the same meter and often
rhyming
120112. heroic couplet
2 successive lines of iambic pentameter with the second lines
usually ending with a stop
121113. Alexandrine
a 12 syllable line written in iambic hexameter
122114. mock-heroic
a satire or parody that mocks the Classical stereotype of a hero
or heroic literature, usually through exaggeration or absurdity
123115. epic
a long, narrative poem written in elevated language and style about the
exploits of a hero or heroine
124116. ballads
a narrative folk song or a narrative set to music
125117. ballad stanza
4 line stanza (quatrain) consisting of alternating four and three
stress lines; usually the 2nd and 4th lines rhyme (abcb)
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128118. literary ballads
4 rhyming lines (abcb), with lines 1 and 3 having eight syllables and lines 2 and 4 having six
129119. elegy
a sorrowful, melancholic poem, such as a funeral song or lament for the
dead
130120. ode
lyrical verse or poem with a serious topic or tone
131121. villanelle
a poem consisting of 19 lines
132122. tercets
3 lines of poetry that form a stanza or complete poem
133123. sestina
poem of 6, 6 line stanzas with 6 end words that are repeated in a
closing tercet
134124. epigram
an inscription that appears on a building or tomb or short verse
appearing at the beginning of a longer work (novel, chapter, or poem) to set the
mood or reveal the theme
135125. doggerel
derogatory term for verse with little literary value
136126. limericks
a 5-line humorous or non-sensical poem in which the first 2 lines
are anapestic trimeter, the next 2 are anapestic dimeter, and the last line is trimeter;
rhyme scheme is aabba
137127. aubade
a morning love song; opposite of a serenade, literally, a song to a
sleeping woman; also refers to a song-evoking daybreak
138128. enacted
performed by an actor or actors free to use the entire stage and
theatrical devices such as sets, costumes, makeup, special lighting, and props for
support
139129. complication
whatever presents as an element capable of altering the action's direction
140130. crisis
turning point in a story; culmination of the events of a plot
141131. Types of plays
Comedy
Tragedy
History
Modern Drama
142132. High comedy
Comedy carried out by characters that are true to life; realistic
143133. Low comedy
Comedy with absurdities, horseplay, and exaggerations, depicting an unrefined life
144134. farce
comedy that entertains the audience through absurdity, improbabilities,
exaggeration and verbal humor
145135. tragi-comedy
fictional work combining characteristics of tragedy and comedy,
such as a somber play with a happy ending
146136. tragic hero
noble, good protagonist in a tragedy who experiences adversity or
misfortune
147137. harmartia
a tragic flaw within a character; in Greek, it means to "miss the
mark"
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150138. hubris
excessive pride adversely affecting the protagonist's judgement; most
common tragic flaw
151139. realism
delivering subject from third person objective point of view with no
added interpretation or elaboration
152140. naturalism
literary movement that depicts life as accurately as possible, illustrating transformation in society through environment and hereditary
153141. expressionism
subjective depiction of the real world through the imagination,
abstract, and symbol