11. DAILY PHYSICAL ACTIVITIES
2. WORK-RELATED ACTIVITIES
3. EXERCISE
4. SPORTS AND GAMES
5. DANCE
5 TYPES OF PHYSICAL ACTIVITY
2~ F – FREQUENCY (how often you will dance?)
~ I – INTENSITY (how hard)
~ T – TYPE
~ T – TIME (how long)
FITT PRINCIPLE OF DANCE
3A. CARBOHYDRATES
major source of energy
4B. PROTEIN
helps repair muscle fibers that are stressed by constant use and synthesizes enzymes required for proper metabolism
5FAT
provides structure for all cell membranes and also needed for the absorption of fat-soluble vitamins and is an important fuel for muscle.
6MICRONUTRIENTS
vitamins and minerals comprise the micronutrients.
7B VITAMINS
energy production
8b) Vitamins A,C and E
antioxidants that are necessary for the repair and recovery of overstressed muscles caused by strenuous rehearsals
9VITAMIN D
bone formation.
10HYDRATION
adequate fluid intake
11Good posture, Poor posture
- ___ is vital for control, safety, and expression. __ or alignment of one-part ricochets throughout the rest of the body.
12SCOLIOSIS
- Lateral deviation of the spine
13SCOLIOSIS
a. Symptoms:L from the back, appears as S or C curve
b. Causes: numerous misalignment
c. Treatment: Dance training can help ease the condition by emphasizing on symmetry of movement.
142. LUMBAR LORDOSIS
a. Symptoms: from the back, exaggerated lumbar curve
b. Causes: weak abdominal muscles, tight lumbar spine and hamstrings
c. Treatment: stretch lower back, hamstrings, and hip flexors anf strengthen abdominals.
152. LUMBAR LORDOSIS
- Swayback
16FLAT BACK
a. Symptoms: flat lower back, posterior tilt of pelvis or elongated thoracic
b. Causes: weak lower back muscles, tight hamstrings
c. Treatment: strengthen lower back and hip flexors, stretch hamstrings
17KYPHOSIS
a. Symptoms: from the side, abdominal round upper back (thoracic curve)
b. Causes: tight chest muscles, weak upper back
c. Treatment: stretch chest muscles of upper trunk and strengthen upper back
191. STRESS FRACTURE
a. Symptoms and causes: Localized cracks in bones due to repeated stress on one area of bone caused by dancing on unsuitable floors and poor alignment in any of the following: a. Fibula (sickled foot); b. tibia bow (weight back); c. lumbar vertebrae (weak abdominal muscles
b. Treatment: Rest. Remedial correction of weaknesses. Heat. Stretching front of leg for shin splints
201. STRESS FRACTURE
shin splints
212. FRACTURE
a. Symptoms and causes: Common fractures in the fifth metatarsals and ankle when twisted, inverted, or rotated in the fall.
b. Treatment: Plaster cast. Immobilize injured part for six weeks or many months, but exercise parts not in plaster to stay strong and mobile. Treat minor fracture with strapping.
22DANCE
has been the avenue for the expression of cultural identity, worship, and social interaction. It is a form of art, competition and entertainment
23DANCE AS CULTURAL IDENTITY
• To express and communicate their distinct cultural and social identity.
24DANCE AS WORSHIP
• Perform during religious worship services and festivals. Choreography may be in free form but it should respondto the lyrics
25DANCE AS EXPRESSION OF REBELLION
• To express rebellion against power and authority. Oppression and lack of acceptance were some of the reasons of rebellion.
26CLASSICAL DANCE
is structured and specific, codified and stylized.
27MODERN DANCE
free, more expressive, and breaking down the traditions
28DANCE AS COMPETITION
• showcases different dance styles such as ballet, jazz, hip-hop, lyrical, modern, dance sport, and tap
• controlled by production companies and well-known local and international organizations
29DANCE AS ENTERTAINMENT
• dance eventually found its way within mass media such as motion picture and television
• musical plays and movies, variety shows
30Choreography
- The art of creating and arranging movements for dances with specific motion and form.
31Choreography ; “choreia” and “grafi”.
- Means “dance-writing” derived from Greek words___
321. Improvised Choreography
unplanned or unrehearsed
just guidelines for improvised movement and form freely executed movements
steps may not be unison, but taken together, contribute to the creative presentation of dance
freely executed movements
332. Planned Choreography
the choreographer dictates movement and form in detail, which dancers must follow completely
34routine and content
• a sequence of planned and organized steps and movements to make the overall choreography the length, style, and interpretation may vary.
35routine
normally longer than a dance combination but shorter than a full dance
36 ‘’damson’’ ‘’to stretch’’ or ‘’to drag’’
dance - come from the german word___– which means ___
37dance
● it is an art of precise expression of one’s emotion throxugh graceful movement.
38PREHISTORIC PERIOD
● people are already dancing.
● dance was very basic as it involved everyday-living movements.
● it served as an important means of communication and revolved around life events such as birth, courtship, marriage and death.
● religious ceremonies and festival activities based on superstition and infused with magic.
● during dancing, mandalas present ang shaman nila.
39shaman
- spearheads who are said to possess magical powers and who acted as physicians, religious leaders and lead dancers, kept tribes healthy, prosperous and safe.
- leaders / oldest of the tribe
40ANCIENT CIVILIZATIONS
● one of the tradition is dancing.
41ancient egypt
- it is their primary way of expressing their religious services and teaching about their ancient myths.
- as a form of worship
- storytelling of the accomplishment
42a slave. ; naked
ancient egypt
- if you are a dancer, you are considered as ___
costume:
43ANCIENT CRETE
● like egyptians, their dances intertwined religious ceremonies and fertility rites, myths and symbols.
44ANCIENT CRETE
● Dance is a part of military training.
● they used dancing to train their warriors.
45● dance themes included military training, healing, religious rituals and entertainment.
● dance themes ; ANCIENT CRETE
46ANCIENT GREECE
● dances here were extremely organized and structured. mas strict.
47ANCIENT GREECE
● mostly for theatrical performances.
48ANCIENT GREECE
● dancing became the essential part of religious celebrations, entertainment and theatrical performances.
491. phorai and cheironomia
SCHEMATA
DEIXIS
THEATRICAL PERFORMANCE - ANCIENT GREECE
50phorai and cheironomia
- Greek terms that describe the carriage of the body during dance.
51SCHEMATA
- refers to the form and shape of gestures.
52DEIXIS
- was pure dance performed by a male greek dancer.
53ANCIENT GREECE
MAS NAGING COLORFUL ; GUJMAMIT NA NG HEADRESS
54ANCIENT ROME
● dances in the __ were primarily performed for religious, social, and entertainment purposes.
55GLADIATOR TOURNAMENT
● were performed in ___ ; ANCIENT ROME
56ANCIENT ROME
● musical instruments were used. (tambourine, drums, flute)
57ANCIENT ROME
● storytelling were used in dancing.
58THE MIDDLE AGES AND THE RENAISSANCE
● Dance played a vital part in people’s lives during this period as a way to show their manners and as a form of celebration, amusement, and entertainment.
● during this era, dance was associated with either the church (liturgical or sacred) and the society (secular).
- the society = for the king and queen (parties by royal family)
- church = headed by pope.
59A. 18TH CENTURY - 1701-1800
B. 19TH CENURY - 1801-1900
C. 20TH CENTURY - 1901-2000
D. 21ST CENTURY - 2001-PRESENT
TIMELINE OF 18TH – 21ST CENTURY
6019TH CENTURY
• Both males and females must strictly follow the code of etiquette when attending a ball or they will not be admitted.
6119TH CENTURY
• The master of ceremonies prepared a set of written ballroom guidelines, activities, and written instructions for the dances.
6219TH CENTURY
• Dance manuals, which included instructions and directions for dances and manners in the ballroom, were also developed by the dance masters
63QUADRILLE
\COTILLION
POLKA
WALTZ
19TH CENTURY DANCES
64EUROPEAN
19TH CENTURY DANCES - COUNTRY
651.1 QUADRILLE
• a square dance performed typically by four couples and containing five figures, each of which is a complete dance in itself.
661.1 QUADRILLE
• was performed in a stately manner and, later on, in an accelerated one.
67FRANCE
QUADRILLE -- COUNTRY
681.2 COTILLION
• French country dance
691.2 COTILLION
• a social dance, popular in 18th century Europe and America.
701.2 COTILLION
• originally for four couples in square formation, it was a courtly version of an English country dance, the forerunner of the quadrille and, in the United States, the square dance.
71FRANCE
1.2 COTILLION -- COUNTRY
72POLONAISE
• its name is French for "Polish."
• involved partners dancing side by side behind a lead couple and moving through various choral figures.
73POLONAISE
• had a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin
74POLAND
POLONAISE -- COUNTRY
75POLKA
• half-step dance in 2/4 time
• was a popular dance in the first part of the century
76• CZECHOSLOVAKIA
POLKA -- COUNTRY
77WALTZ
• performed in triple time by single couples in close position and turn rhythmically around and around as they progress around the dance floor.
78AUSTRIA
WALTZ -- COUNTRY
79RAGTIME
CASTLE WALK
TANGO
CHARLESTON
BLACK BOTTOM
LINDY HOP
RUMBA
CHA-CHA-CHA
SAMBA
BOSSA NOVA
BOOGALOO
TWIST
MOD DANCE
PSYCHEDELIC DANCE
HUSTLE
FUNK MUSIC
YMCA
MACARENA
FOOTLOOSE
18 DANCES OF 20TH CENTURY
80RAGTIME - 1900-1920
• a type of music known for its syncopated melodic line and regularly accented accompaniment played specially on the piano
• Maple Leaf Rag, influential ragtime music by Scott Joplin.
81. CASTLE WALK 1900-1920
• accompanied by the song “castle rag”, was performed in the close dance position with the men walking forward and the women moving backward or vice versa
82. CASTLE WALK 1900-1920
• continued to introduce more steps that imitate animal moves such as turkey trot, bunny hug, and grizzly bear
83TANGO 1900-1920
• a highly sensual and erotic dance performed by a couple with close body contact and direct eye contact
• Developed in Buenos Aires with mixed cultural elements from African, Native American, Latin dances with Argentine music.
84CHARLESTON 1920-1930
• was done in 4/4 time and can be performed solo, with a partner, or with a group
• it looks like normal walking and made easy for performers to improvise . originated in Charleston, South Carolina
85BLACK BOTTOM 1920-1930
• Movements similar to Charleston
• Original Black Bottom Dance was printed in 1919 and the dance became a fad in American society in mid-20s.
• originated in New Orleans
86• originated in New Orleans
BLACK BOTTOM \- COUNTRY
87B.3. LINDY HOP 1920-1930
• it was a combination of many dances such as jazz, tap, breakaway and Charleston
• Sometimes referred to as a street dance because of improvisational
88B.3. LINDY HOP 1920-1930
• originated in Harlem, New York City
89RUMBA (CUBA) 1930-1940
• considered the “grandfather of the Latin Dances”.
90RUMBA (CUBA) 1930-1940
• narrates love and passion between a tough male lover and a timid, mischievous woman
91RUMBA (CUBA) 1930-1940
• Considered the sexiest ballroom dance
92CHA-CHA-CHA (CUBA) 1930-1940
• derived from mambo music and swing.
• Like most Latin dances, the dancer’s feet remain close to the floor, the hips are relaxed to allow free movement in the pelvic area, and the upper body shifts over the supporting foot as the steps are taken.
93SAMBA (BRAZIL) 1930-1940
• a distinct look and feel because of its “samba bounce action”, a light, effortless, and carefree movement from the knees and ankles.
94D.1. BOSSA NOVA 1950-1960
• Latin dance in 2/4 syncopated time.
• it is a combination of samba rhythm and jazz, resulting in a Latin mix.
95BOOGALOO 1950-1960
• combination of Latin, African American, rhythm and blues, rock n roll, and soul music
• fame through the songs “Boogaloo Blues” and “I like It Like That”
96D.3. TWIST 1950-1960
• dancers danced apart, stood in one place and twisted their hips from side to side, pivoting their feet
• Chubby Checker accidentally invented it when he was drying himself with towel after shower
97. MOD DANCE 1960-1970
• it was free-flowing and jerky dance that required a partner
98. MOD DANCE 1960-1970
• the “cool” narcissistic teenagers who rebelled against the emotionalism of rock and roll were among the first to perform this dance
99PSYCHEDELIC DANCE 1960-1970
• was experimental and freeform in nature affected by drug-induced exhibitionism.
• introduced during the widespread use of psychedelic drugs in San Francisco
100HUSTLE 1970-1980
• Cuban dance originated in New York City
• became popular and was used in the movie Saturday Night Fever (John Travolta as lead actor)
101F.2. FUNK MUSIC 1970-1980
• started in the late 60s by James Brown, Jimi Hendrix, and Earth, Wind and Fire introduced the 1970s funk rock
• lyrics became more explicit in music synthesizers in the early 80’s
102. YMCA 1980-1990
• popular fad dance emerged in the 80s and the 90s
• Village People performed the song in 1978. The group used cheerleading arm positions to spell out the letters of the song
103MACARENA 1980-1990
• became the dance craze among the youth with its arm movement and hip wiveling
• hit the US 100 song charts for 60 weeks
104G.3. FOOTLOOSE 1980-1990
• a hit dance in 80s that shows different foot movements
• became famous because of the American musical drama Footloose