nsci 225 learning check 02

109 flashcardsby bestmango4
Study these flashcardsFree · spaced repetition · iPhone, Android, Mac & web

All cards

1
blindsight
not consciously perceiving a visual stimulus but being able to process it - some connections from the lgn go to other extra- striate areas are still in tact, allowing them to process it
2
retinoptoic mapping
using methods in order to see what part of the primary visual cortex is most active in response to visual fields - as you go further out in the periphery of visual fields, the less processing space is used - mapped backwards and upside down
3
cortical magnification
the fovea is overrepresented in the pvc
4
column organization
different types of columns represent somewhere in the visual field - location columns, orientation columns, ocular dominance column
5
location columns
every cell within the location column responds to the same receptive field location, responding to stimuli from the same area on the retinotonic map
6
orientation columns
located within the location column - responds to different orientations of line - each layer in the column responds to the same orientation but as you move to the next column it'll be a different orientation
7
ocular dominance column
located within the location column - the first part of the visual pathway where there are binoculars cells - left columns and right columns (because although they're binocular, they have preferences, what side of the visual field they prefer to respond to)
8
hypercolumn
the same thing as a location column but stresses that there's other subtypes of columns within the location column
9
gratings
striped patterns used to study cells in v1 - an array of stripes will activate many feature detectors
10
selective adaptation
firing rate to grating decreases when the stimulus is there for a long time or is repeated (ex: after looking at strong grating of vertical lines for a long time, it will be harder to see gratings because you've adapted)
11
is there interocular transfer in the lgn
no, because there's no binocular cells!
12
intrerocular transfer
the ability of visual information learned through one eye to be accessible and utilized by the other eye (looking at fat lines and skinny lines in one eye and changing to the other eye and seeing lines look weird)
13
ss we move further down the visual pathway, what happens to receptive fields?
shape of receptive fields gets more specific, location gets less specific
14
color vs. motion PET study
studied the v4 and v5 in participants looking at color versus grayscale and movement versus stillness - found that v4 is active for color displays and v5 is active for moving displays
15
IT cortex neurons
neurons that respond to different stimuli, dealing with object recognition and categorization
16
modularity
the brain is organized into specialized regions that process specific types of information independently while still interacting with other areas
17
what pathway
ventral pathway; connects to the inferotemporal cortex/temporal lobe - determines object identity - is conscious
18
where/how pathway
dorsal pathway; connects to the parietal lobe - determines object location - is more subconscious
19
monkey object discrimination task
removed temporal lobe - monkeys would need to pick correct object to get food - damage to what pathway prevented this
20
monkey landmark discrimination task
removed parietal lobe - monkeys would need to pick food closest to an object - damage to where/how pathway prevented this
21
double dissociation
two processes controlled by separate parts of the brain
22
patient d.f.
had agnosia due to damage in temporal lobe, making her unable to identify objects or even describe orientation - could put the card in the slot and pick up objects (where/how pathway is okay)
23
dr p
had agnosia where he could not identify objects but could reason his way to figuring it out about their size and shape (how pathway used)
24
optic ataxia
deficit in the visual control of reaching and other movements - damage to where/HOW pathway
25
patient rv
had bilateral parietal damage, causing optic ataxia - performed poorly when trying to pick up the rock
26
inverse projection problem
determining the object that caused an image on the retina
27
stages of object perception
1. early vision
2. mid-level vision
3. high-level vision
28
early vision
detecting and combining features (grouping)
29
mid level vision
constructing surfaces and then objects in 3D space - depth comes into play here
30
depth perception problem
fundamental ambiguity between size and distance - we need cues to understand what is causing the image
31
monocular depth cues
depth perception that can happen with one eye - occlusion, familiar and relative size, relative height
32
oculomotor depth cues
cues from intraocular and extraocular muscles
33
binocular disparity
our eyes are separated by about 6cm and the stereoscopic image is the combination of the different views
34
intraocular depth cues
accommodation and blur - intraocular muscles are responsible for adjusting the shape of the lens
35
extraocular depth cues
convergence
36
convergence
extraocular eye muscle cue - your eyes move in different directions to look at things - your brain can figure out what direction your eyes are moving and use that information to determine where the object is for depth - is binocular
37
accommodation
intraocular muscles adjust the shape of the lens - the muscles tense up for closer items - is monocular
38
corresponding points
points that would overlap if you put one retina over the other (ex: the fovea) - anything on the horopter
39
the horopter
imaginary semicircle - shows everything that is the same distance from whatever you're focusing on (whatever your fovea is directed towards) along the imaginary line - everything on the horopter lays on corresponding points on the retina - there is disparity when the point falls in front of or behind the horopter
40
disparity
the difference between what each eye sees - more disparity the further the object moves away from the horopter - is what gives us stereopsis
41
crossed disparity
things in front of the horopter
42
uncrossed disparity
things behind the horopter
43
Charles Wheatstone
discovered that binocular dispirit is important for perception - coined stereopsis and the stereoscope
44
random dot stereograms
moving a certain shape worth of pixels over by 6 pixels, causing the shape to pop up at you (moving the corresponding points)
45
correspondence problem
how do our brains figure out that objects from different perspectives / images are the same
46
what has no disparity
the fovea
47
disparity selective neurons
neurons activated by differences in retinal images.
48
selective rearing of cats for induced strabismus
there were few binocular cells and more monocular cells, causing a lack of stereopsis
49
relative distance
seeing how far an object is from another object
50
absolute distance
seeing how far a distance is
51
occlusion
one object partially hidden by another is perceived as being further away - relative monocular cue
52
relative size
when two objects are assumed to be the same size, the one appearing larger on your retina is perceived as closer (ex: two cans) - relative cue
53
familiar size
knowing how large an object actually is gives you a cue to depth - absolute cue
54
shadows
absence of light - relative cue
55
shading
we are used to the light source coming from above
56
atmospheric perspective
particles in the atmosphere cause objects that are further away to look blurry
57
texture gradient
the density of a texture's gradient increases with distance
58
parallel processing
the processing of several aspects of a problem simultaneously; contrasts with the step-by-step (serial) processing of most computers
59
high level vision
identifying objects by a unique feature - classes of objects are identified by shape
60
physical regularities
more vertical and horizontal lines in the environment, when one object is blocked it comes out the other side, light from above assumption
61
semantic regularities
meaning of a scene, scene schema (knowledge of what belongs in a scene)
62
multiple personalities of a blob
the same blob is interpreted as whatever would fit into the scene schema - top-down processing
63
sensation vs. perception
sensation: bottom-up processing
perception: our interpretations of the bottom-up processing
64
tong et al. study with glasses and an image per eye
saw a face with the left eye and a house with the right eye - press a button anytime their perception changed - both areas are the same for sensation but for measuring PERCEPTION the ffa and ppa were activated more based on what they were focusing on
65
the greebles study
people were able to train and learn to recognize greebles, showing an increase activation in their ffa - the ffa is activated by anything that needs high levels of visual detail for differentiation
66
what determines what color we see on an object
what wavelengths an object absorbs is not seen and what an object reflects is seen (cardinals reflect red wavelengths and absorb the rest)
67
reflectance curve
shows the contribution of each wavelength for light reflecting off an item - is never really a peak at one wavelength because everything is a mixture - assumed white ambient lighting
68
subtractive color mixing
used for any kind of pigment - what wavelengths are visible is determine by whatever is left after two colors are mixed is what they have in common - they absorb each others' pigments
69
additive color mixture
used for any kind of light - primary colors are green, red, and blue lights - ends up with white if you combine all three because its all of the wavelengths combined equally
70
trichromatic theory of color vision - Young Helmholtz theory of color vision
justice for Maxwell who also deserves credit - participants given 3 different adjustable colors of lights (red green and blue) to try to match the target light color - later revealed that we have the three different types of cones
71
metamer
stumble that are perceptually the same but physically different (different combinations of wavelengths to make green vs. pure green are perceptually the same bc they're activating the cones in the same way but have different wavelength amounts)
72
principle of univariance
we cannot tell color with a single cone - we need to compare the firing of different cones to get information on the brightness and the color - a rod can respond the same amount to a dim light near the peak wavelength and a bright light far away from the peak
73
rod monochromatism
no working cones - bad foveal vision, reduced visual acuity, hypersensitivity to light because you can't switch to cone vision
74
cone monochromatism
one working cone - good visual acuity, only sees shades of grey and differences in brightness
75
dichromatism
two types of working cones - missing one cone
76
ishihara plates
dots that show if you're colorblind?
77
opponent-process theory of color vision - ewald hering
phenomenological report of the color wheel - color vision comes from 4 primary chromatic color pairs - evidence: opponent neurons, color afterimages, hue cancellation
78
color afterimages
opponent-procesing theory based on what afterimages appear
79
refraction
the bending of light by the lens; the more contracted the ciliary muscles, the thicker the lens, the more the zone fibers can relax, the more refraction occurs, the closer you can see
80
superior colliculus
receives visual sensory input
81
efference copy
internal copy of a motor command, uses this information combined with visual input to understand when you are seeing depth
82
perspective convergence / linear perspective
parallel lines appear to come together in the distance
83
ponzo illusion
the perceived length of a line on a railroad is affected by linear perspective cues
84
chromostereopsis
illusory perception of depth from color
85
relative height
higher objects are seen as more distant - monocular cue
86
motion parallax
depth cue where objects closer appear to pass faster and objects further appear to pass slower
87
modal completion
a perception not made from an actual sensation, illusory border
88
law of good continuation
we tend to continue lines/objects
89
law of simplicity or pragnanz
interpretation of pictures in a way makes the most sense based on logic
90
law of similarity
grouping objects with similar properties
91
law of proximity
grouping objects positioned close to one another
92
law of common fate
grouping objects that move in the same direction
93
law of familiarity
grouping objects that appear familiar or meaningful
94
principle of common region
elements within the same region of space are grouped together
95
principle of elemental connectedness
a connected region of the same visual properties are perceived as a unit
96
principle of synchrony
visual events that occur at the same time are perceived as belonging together (flashing color lights)
97
amodal completion
surface completed behind something even though obscured
98
figure-ground segregation
vase vs. face illusion - figure is more thing like and ground is more abstract - the contour separating the two things belongs to he figure
99
how do we decide whats seen as a figure
lower position in the visual field - (left or right makes no difference) - convexity - symmetry - smaller area size - vertical or horizontal orientations - familiarity
100
convexity
things that are bubbling out appear to be the figure
101
symmetry
shapes that are symmetrical appear to be the figure
102
color constancy
being able to tell that something is the same color in different lighting conditions
103
theories of color constancy
chromatic adaptation, effects of the surroundings, memory and previous experience
104
chromatic adaptation
we adapt to whatever our ambient lighting is to achieve color constancy, works best if we are in the same ambient lighting as the object we are perceiving
105
effects of surroundings
color constancy works best when an object is surrounded by many colors
106
brightness constancy
consistent brightness is perceived when lighting conditions change
107
illuminance edges
when the difference in light reflecting is due to a shadow and not an actual color difference
108
reflectance edges
an actual color difference
109
how do we deal with shadows
familiar shapes, nature of the shadow/contours (is there a penumbra?),
Study all 109 cards for free