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Drawing:

Henry Moore’s Shelter Drawings:

The meaning of drawing:

Sketchbooks:

Da Vinci’s Facial Proportions of a Main in Profile

Director/ producer Guillermo del Toro's pages

Receptive drawing:

Mary cassatt:

Projective drawing:

Mart’n Ramirez:

Drawing and the Creative Process

Vincent van Gogh:

Drawing 3 functions

Michelangelo studies:

Cartoon:

Hatching:

Cross-hatching:

Contour hatching:

Bartolomeo Passarotti

Printmakers use all 3 types of hatching to sugges

Tooth:

Dry Media gives

Dry Media inculdes

Liquid Media

Hokusai Tuning the Samisen:

Rembrant Van Rijn, Eliezer and Revecca at the Well:

Gouache

Nancy Spero, Peace:

Drawing and painting are related with them being

Gerhard Richer Abstract painting:

Three ingredients to all paints

provides the color to paint. They are usually in the form of a fine powder that must be stable while drying and be resistant to fading over time. Advance in chemical industry in 19th and 20th cen allowed for synthetic pigments in a range of stable colors

it holds the pigment particles together for oil paints they used linseed oil while tempera paint used egg yolk

a water-based paint that uses egg yolk as a binder

make paint a liquid and can be further added for thinning, it is the turpentine in oils and water in water colors

the physical material that provides the base for and sustains a two-dimensional work of art; canvas and panels are common supports for paintings. It must be sealted with sizing then followed by a primer for a uniform surface.

any of several substances made from glue, wax, or clay, used as a filler for porous material such as paper, canvas, or other cloth, or wall surfaces
Primer: a primary layer of paint applied to a surface that is to be painted

Water-based paint media have been used for thousands of years with pigments mix with water for the vehicle and a gum arabic as the binder with a white rag paper being the most common support because it do not require sizing nor a priming

Drawing:

Drawing:

Drawing:

Li Shida Five deer Hermitage

It is pigments suspended in water applied to damp lime-plaster surface with most modern frescoes utilize cartoons. The plaster dries quickly in this medium so only a portion can be painted that day is prepared. Its joints are arranged along edges of major shapes. It is a paint staining process with the Lime forms a calcium crystals that chemically bind the pigment to the wall making it a durable surface best suited for drier climatic zones.

Fresco was popular in Renaissense Italy because

with the government’s support of the arts in public buildings with Digeo Rivera being the leader in the movement with him even being inhibited by Detroit Institute of Arts to create a call Detroit Industry a blend of tradition and contemporary subject matter.
Encaustic:

a type of painting in which pigment is suspended in a binder of hot wax allowing for a Lustrous surface. It was know to the ancient Greeks. Because temperature control is necessary for this because of the wax binder it is less commonly used today despite modern devices making temperature control easier.

Encaustic flourish in

a modern artist who used encaustic like in his piece Three Flags, the use of the waxy consistency of the paint yields a textured surface causing you to see nearly every stroke he made.

Know to the Greeks and Romans and highly developed during the Middle Agesit is a egg yolk binder paint mixed equally with pigment and thinned with water. It creates a Matted surface when dry with the preferred ground for it being gesso.

a dull finish or surface

a mixture of glue and chalk, thinned with water and applied as a ground before painting with oil or egg tempera

Advantages of Tempera

Disadvantages of Tempera:

one modern artist who used tempera to good effect like in The Waiting Room that shows painstaking execution and high detail he said the slowness of working in tempera fit his way of thinking.

The favorite medium of Western art for 5 cen with the Linseed oil as the vechincel recipe have been perfected by the 15th century by Flemish artists. It can be done wet onto wet, or wet onto dry and applied thickly or thinly.

He was one of the early leaders of European oil painting along with his brother Hubert. They achieved glowing, jewel-life surfaces that remain amazingly fresh to the present day. it is a Gesso-covered wood panel which uses glaze. It show a refined and detailed textures

a thin transparent or translucent layer brushed over another layer of paint, allowing the first layer to show through but enriching its color slightly

Advantages of Oil Painting:

thick paint applied to a surface in a heavy manner, having the appearance and consistency of buttery paste or of cake frosting.

execution of a painting in one sitting, applying wet over wet colors

used the direct method to create this work Indulgence was Van Gogh’s Dilemma it was small with it only being 4 by 3. He used Impasto near the top of the work tinned his yellow paint with turpentine and smoothed brushes in the middle to heighten trompe l’oeil quality

she was a leader in oil painters breaking out of the box of the rectangular canvas with her painting irregular shapes like in Bop with it lies between abstract and representational art and painting and sculpture. In her painting Let Out of the Zoo with its irreverent attitude being key to her early success. With the next step of her painting onto an irregularly shaped part being Falling with it being her bid farewell to the rectangle.

Invented in the mid twentieth cen it used a binder of acrylic polymer (synthetic) with its vehicle, waiter, more convenient than toxic turpentine. It is a relatively permanent paint that rarely darkens or yellow with age.

she took advantage of acrylic like in her painting Into the Sun #10 with it uses pure and bright shades and applies the paint with a squeegee

Painting continues through “near death experience”

recovers poisonous sludge from streams in Ohio and derives a pigment powder from it and blends it with binders and vehicles for his painting. This causes a limited color palette but a striking one like in Chorma S117 with it mostly being composed of abstract colors. It completes the cycle” that makes commercialized quantities and sells and uses the money to subsidize environmental remediation in streams.

small-scale paint sprayers capable of projecting fine, controlled most of paint with even application without individual brush strokes. It can be used for subtle gradations of color and with Graffiti artists who use spray cans and favor quickness of execution.

uses spray guns to finish most of her works like oRiOn which used several layers of hand-brushed patches, sprayed dots to creates a jarring vertical mixtures

uses digital televisions screens as support for oil paintings like in Gesture/Data as the artists’ intervention becomes part of the screen.

this was done with layering of images with each image having it own color. This piece overall is a meditation on fragile structures and realtates to the process of memory with the artist making a visual poem.

one of a series of nearly identical pieces, usually printed on paper with it being one of the more accessible artforms with it’s lower prices and wilder distribution. It is made with a matrix. The prints are often numbered to indicate the sequence of pulled prints.

the block of metal, wood, stone, or other material that an artist works to create a print

group of images from the same matrix with

can be defined as works of art with siblings but all original

prinking picture was developed in China during the

Printing developed in Europe in the

Reliefs flourished in japan in the

used multiple woodblocks registered, or aligned carefully.

in color printmaking or machine printing, the process of aligning the impressions of blocks or plates on the same sheet of paper

due to the roughness of it the image is almost indecipherable with the texture of the matrix also being obvious

Kirchner’s approach was

traditionally used for book illustrations, it used very dense wood set on an end because of how durable and can make large editions. This is often done with the use of metal tools. a method of relief printing in wood; made with denser wood, cutting into the end of the grain rather than the side

he was an early pioneer of wood engraving with his pieces Thornton’s Pastorals of Virgil in 1821 and Boy returning Joyfully, with Plough and Oxen. These are the high details possible through the use of engraving tools.

or linoleum cut it is a relief printmaking process in which an artist cuts away negative spaces from a block of linoleum, leaving raised areas to take ink for printing. This functions as a soft matrix, no grains, and can be cut with equal ease in any direction

it has even white gouges with it being socially conscious printmaking to show dignified images of African Americans

a contemporary artist of Mexico city he buys used tires with eroded treads to carve relief patterns in them. These are based on traditional Mexican pop culture motifs such as skeletons and flowers. The use of the tires made it easy to ink for printing on long sheets with him selling them by the yard or exhibited them together along with the tires.

any printmaking technique in which lines and areas to be inked are recessed below the surface of the printing plate. The areas below surface holds with ink.

Intaglio process

an impression made on a piece of paper by pressing a printing plate onto it, usually a sign of an original print

an intaglio printmaking process in which grooves are cut into a metal or wood surface with a sharp cutting tool called a burin or graver; also the resulting print. Then a scraper smooths down the rough edges of the groove. The lines are not drawn freely due to the pressure needed. It can be seen in the US currency and Albercht Durer’s complex prints

a tool used in engraving

an intaglio printmaking process in which lines are scratched directly into a metal plate (soft copper or zinc) with a steel or diamond tip needle; the scratch raises a ridge (burr) that takes the ink. It is mostly used to fill in details of etchings with small editions rarely done with this.

the ridge left by scratching a drypoint line in a copper plate; the burr holds ink for printing

an intaglio printmaking process in which a metal plate is first coated with acid-resistant wax or varnish, then scratched to expose the metal to the bit of nitric acid where lines are desired; also the resulting print. The lines made from this are more relaxed and irregular than engraved lines

The plate immersed in nitric acid that makes a groove according to:

compared to durer;s pieces lines they are more relaxed and irregular. The skillful use of light and shadow is provided by this medium.

an intaglio printmaking process in which value areas rather than lines are etched on the printing plate; powdered resin is sprinkled on the plate, which is then immersed in an acid bath, and the acid bites around the resin particles, creating a rough surface that holds ink; also a print made using this process

used aquatint and other techniques for this peace

a planographic printmaking technique based on the antipathy of oil and water; the image is drawn with a grease crayon or painted with tusche on a stone or grained aluminum plate; the surface is then chemically treated and dampened so that it will accept ink only where the crayon or tusche has been used

one of the first lithographic artist which made the work Transnoain, April 15, 1834 which captures a event of a militia killing many innocent tenants of a apartment

it is hundreds of innovative works with bright colors and flattened compositions. He pioneered a new style of lithographic posters of large formats and innovative compositions.

a sheet of paper, cardboard, or metal with a design cut out; painting or stamping over the sheet prints the design`on a surface, this is favored by street artists but it also does not allow for shading

McCarthy, Urban Buddha: demonstrates

or silkscreen or serigraph a technique in which stencils are applied to fabric stretched across a frame, and paint or ink is forced through the unblocked portions of the screen onto paper or another surface beneath. It was traditionally used silk as the material and this technique is good for producing a uniform color. This process do not make a reversal of the image as in other printmaking processes so it tend to use for proster production

it is a portrait of activist Milan Loeak and a quote from one of her essays with it being an excellent example of silkscreen

a variation of a silkscreen in which the stencil is prepared by transferring a photograph to the stencil

Variations caused by varying the amount of ink that the squeegee pushed through the screen

More artist are taking on new technologies in printmaking to make

he sandblasted glass to do a similar process to silkscreening to embed images onto surfaces of blue glass. He often work with highlights with requenet ocean-crossing migrations

he used a mix of woodcut and lithography like in his pice Blighted which was printed on Myal and the shattering of the buildings in it being base on 9/11

artists creates a design using a modeling software this is not a print because the 3d print is not a impression but it is a limited edition made by an artist

Example of 3d printing