ARTH143-01 Final Exam Review
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1
Triumph of the New York School by Tansey (1984)
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Time Flow Chart by Barr Jr (1936)
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Life Drawing Class at the Royal Academy by Zoffany (1772)
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The Futurist Manifesto by Tomasso (1909)
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The Two Paths of Life by Rejlander (1857)
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Romans of the Decadence by Couture (1847)
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L.H.O.O.Q. by Duchamp (1919)
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Fountain by Duchamp (1917)
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Fountain (After Duchamp: 1) by Levine (1991)
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Black Square by Malevich (1914-17)
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Black Square or Dancing in Congo Square by Mae Weems (1998)
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Black Square on Red Square by IRWIN of NSK (1992)
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The Clock by Gontcharova (1911)
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Corner Counter Relief by Tatlin (1915)
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Tatlin at Work by Lissitzky (1919)
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Oath of the Horatii by David (1784)
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Liberty Leading the People by Delacroix (1830)
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Stone Breakers by Courbet (1849)
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Oval Hanging Construction by Rodchenko (1920)
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Beat the Whites with the Red Wedge by Lissitzky (1920)
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Steiner House by Loos (1910)
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The Bauhaus by Gropius (1925-26)
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Chair with moveable seat by Bauhaus patent (1930)
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Composition with Red, Blue, and Yellow by Mondrian (1930)
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Red/Blue Chair by Rietveld (1918-23)
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Discs in the City by Leger (1920)
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A Street in Berlin by Kirchner (1913)
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Manifesto
A public declaration of policy or views.
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History painting
Paintings of genre scenes with biblical, mythological, or historical references.
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Salon
Exhibitions with revolving artwork on view for groups/the public
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Narrative
Art that tells a story.
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Academy
Notable visual art institution that instructed artists and provided exhibitions for both students and members.
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Readymade
Prefabricated, mass-produced object used to create art.
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Assisted readymade
Combination of readymade objects to create art.
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Cubism
Art movement that conisists of mutiple viewpoints, persepctives, and shapes.
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Fauvism
Art movement that consists of bright, bold, pigmented colors to create meaning unaturally.
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Icon
Images representing religious, sacred, beloved figures throughout history.
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Avant-garde
Occurance in art where something is seen as "never done before", or “unique”, or "one of a kind."
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Modernism
Art movement that consists of breaking past traditions and looking for new ways to express.
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Modernization
Process of adapting something to modern needs or habits.
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Anti-modernism
Opposed to modernism or modern beliefs in art.
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Progress
Hegal’s historical timeline of developing history.
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Constructivism
Architectural, avant- garde, Russian movement emphasizing the use of geometric shapes and industrial materials.
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Realism
The accurate, detailed depiction of nature or of contemporary life- often referencing political points.
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Romanticism
Art movement that emphasized emotions, individualism, imagination, rebellion, and nature in principle/figurative manners.
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Bauhaus
German art movement that consisted of compliling all artistic mediums into one unified concept.
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Picture plane
Imaginary flat surface referring to the viewer's line of sight on an artwork.
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Pictorial space
The illusion of three- dimensional objects using shapes and space with no implied depth.
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Faktura
The visual demonstration of properties inherent to materials.
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Utopia
Depiction of idealistic ways of living and society in art.
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Standardized architecture
Process of architecture in which materials are prefrabricated and then used for building.
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De Stijl
Dutch art movement with strict ideals of horizontal and vertical geometry.
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Naturalism
The depiction of realistic objects in a natural setting.
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Surrealism
Art movement focusing on the unconscious mind depicting dreams and the imagination.
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Allegory
An artwork with a hidden meaning (like a moral or political story) in art