Art 106 artwork identification

Nanni di Banco, Four Crowned Saints, statues in a niche on the north side of Orsanmichele, Florence, Italy, ca. 1410–1414. Marble, figures 6' high. Modern copy; original sculpture in the museum on the second floor of Or San Michele, Florence.

Masaccio, Tribute Money, mural in the Brancacci chapel, Santa Maria del Carmine, Florence, Italy, ca. 1424–1427. Fresco, 8' 4 1/8" ´ 19' 7 1/8".

Sandro Botticelli, Birth of Venus, ca. 1484–1486.

Tempera on canvas, 5' 9" ´ 9' 2". Galleria degli Uffizi, Florence

Sandro Botticelli, Primavera (Spring), ca. 1482. Tempera on wood, 6' 8" ´ 10' 4".

Galleria degli Uffizi, Florence.

Filippo Brunelleschi, dome (looking north) of the Cathedral of Santa Maria del Fiore (fig. 14.19), Florence, Italy, 1420-1436.

Cutaway view of the dome of the Cathedral of Santa Maria del Fiore

Andrea Mantegna, ceiling of the Camera Picta (Painted Chamber), Palazzo Ducale, Mantua, Italy, 1465-1474. Fresco, 8' 9" in diameter.

Andrea del Castagno,

Last Supper, 1447

Leonardo da Vinci, Last Supper, ca. 1495–1498

Leonardo da Vinci, Mona Lisa, ca. 1503–1505. Oil on wood, 2' 6 1/4" ´ 1' 9". Musée du Louvre, Paris.

Michelangelo Buonarroti, Pietà, ca. 1498–1500. Marble, 5' 8 1/2" high. Saint Peter’s, Vatican City, Rome.

Raphael, Madonna in the Meadow, 1505–1506. Oil on wood, 3' 8 1/2" ´ 2' 10 1/4". Kunsthistorisches Museum, Vienna.

Raphael, Philosophy (School of Athens), Stanza della Segnatura, Apostolic Palace, Vatican City, Rome, Italy, 1509–1511. Fresco, 19' ´ 27'.

Michaelangelo, The Creation of Adam, c. 1512, Fresco

Michelangelo, Sistine Chapel Ceiling, 1508-12

Michelangelo, Studies for the Libyan Sibyl (recto), c. 1510–11, Metropolitan Museum of Art

Michelangelo, Libyan Sibyl, c. 1511, fresco, part of the Sistine Chapel ceiling

Albrecht Dürer, Self-Portrait, 1500. Oil on wood, 2' 2 1/4" ´ 1' 7 1/4". Alte Pinakothek, Munich.

Hieronymus Bosch, Garden of Earthly Delights, ca. 1505–1510. Oil on wood, center panel 7' 2 5/8" ´ 6' 4 3/4", each wing 7' 2 5/8" ´ 3' 2 1/4". Museo del Prado, Madrid.

Pieter Aertsen, Butcher’s Stall, 1551,

Oil on wood

Hans Holbein the Younger, The French Ambassadors, 1533. Oil and tempera on wood, 6' 8" ´ 6' 9 1/2". National Gallery, London.

El Greco, Burial of Count Orgaz, 1586. Oil on canvas, 16' ´ 12'. Santo Tomé, Toledo.

The founding of Tenochtitlán, folio 2 recto of the Codex Mendoza, from Mexico City, Mexico, Aztec, ca. 1540–1542. Ink and colors on paper, 1' 7/8" ´ 8 5/8". Bodleian Library, Oxford University, Oxford.

Coyolxauhqui, from the Great Temple (fig. 36.3) of Tenochtitlán, Mexico City, Mexico, Aztec, ca. 1469. Stone, diameter 10' 10". Museo del Templo Mayor, Mexico City.

Donatello, David, c. 1440s, Bronze

Museo Nazionale del Bargello

Michelangelo, David, 1501-1504, Marble, Florence, Galleria dell'Accademia

Caravaggio, The Calling of St. Matthew, ca. 1599–1602, Oil on canvas, 11 ft. 1 in. × 11 ft. 5 in. Contarelli Chapel, San Luigi dei Francesci, Rome.

Artemisia Gentileschi, Judith Slaying Holofernes, ca. 1614–1620. Oil on canvas, 6' 6 1/3" ´ 5' 4". Galleria degli Uffizi, Florence.

Johannes Vermeer, Allegory of the Art of Painting, 1670–1675. Oil on canvas, 4' 4" ´ 3' 8". Kunsthistorisches Museum, Vienna.

Hendrick ter Brugghen, Calling of Saint Matthew, 1621. Oil on canvas, 3' 4" ´ 4' 6". Centraal Museum, Utrecht.

Rembrandt, The Anatomy Lesson of Dr Nicolaes Tulp, 1632, Oil on canvas, Mauritshuis, The Hague

Diego Velázquez, Las Meninas, 1656

Juan de Pareja, Calling of St. Matthew (La vocación de San Mateo), 1661